Analysis of The You



The You.
a counterpoint
to the I;
to subjective I…
the You…

considered..
considered contextually
as The Object;
as the object
of subjective I.

yet a partner to the I;
seeking partnership.
ever seeking partnership
the You, and the I…
a coupling…

with the I…
Du und Ich;
You and I…
together sung
melodiously…

perhaps
romantically…
asking a question,
inviting a response:
“Was wissen du und Ich?”

“What do you and I know
uber irgendetwas;
about anything,
uber das ich;
about the self.

uber mich selber
about myself,
and especially…
about you,
uber dich…

posing syntactically…
e’en semantically,
as…
a stepbrother,
or a stepsister…

to the I…
as in…
You and I;
Du ind ich?”
Make observation listeners…

to what a poet once said:
“The child
Is father
to the man.”
What means this saw?

What is its true intent?
Perchance the younger
shall replace the elder;
as Jacob was to Esau.
The pronoun I…

generic, impersonal;
or indefinite.
a second-person pronoun,
can manage yet
to find its royal place,

not always seconded,
sentenced secondarily,
or perhaps, more so…
thirdly.
The You…

can proudly say
grammatically,
“You and I”
“Du und Ich”
Not “I and You.”

“Not “Ich und Du.”
rejected composition!
The You can rise up…
majestically;
in opposition to…

the I,
in liberation;
partner equally
with the I.
Prithee comrade, tell me,

declare to me
In honesty, with earnestness,
with sworn sincerity,
what would there be,
how could there ever be…

an I without a You?
It’d be merely a shadow
of the me…
a shadow of itself;
without the You.


Scheme AxBbA xcDDb beebf BGBxc hcixg jhfgk lkcag ccxll BxBgx xxlxm xllmb cxxxx xcjcA xcBGa aixca bicBn nxnnn ajnka
Poetic Form Tetractys  (49%)
Etheree  (27%)
Metre 01 010 101 10101 01 010 0101 1010 1010 10101 1010101 1010 101010 01001 010 101 111 101 0101 1 01 01000 10010 010001 11111 111011 101 0110 1011 0101 1011 011 0010 011 101 101 11 1 01 1010 101 10 101 111 1010100 1101011 01 110 101 1111 111101 01010 11010 110111 0101 0100100 10100 0101010 1101 111101 11100 100100 10111 10 01 1101 1 101 111 1101 1111 010010 01111 01000 00101 01 0010 10100 101 1111 0111 01001100 110100 1111 111101 110101 111001 101 01101 0101
Closest metre Iambic dimeter
Characters 1,621
Words 335
Sentences 19
Stanzas 18
Stanza Lengths 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5
Lines Amount 90
Letters per line (avg) 13
Words per line (avg) 3
Letters per stanza (avg) 64
Words per stanza (avg) 15

About this poem

Written as a companion to the author’s poem, “The I,” this eighteen verse poem, called The You,” is written with a sense of frolic, lightheartedness and merriment at the interesting grammatical relationships of the pronouns “you” and “I” that have invited philosophers, most importantly in modern times, Martin Buber, in his book “Ich und Du” ( translated into English as “I and Thou”) to meditate on the ethical existential meaning of that phrase in particular, and of Life in general . Other philosophers, theologians, and psychologists have done likewise ( as examples, Sigmund Freud, Carl Gustav Jung, the author Franz Kafka, Carl Rogers, and the Reverend Dr. Martin Luther King, Jr.). This poem brings to consciousness the importance of “You” and “I” personally, literally, symbolically, historically, metaphorically, psychologically, and spiritually in everyday language and discourse. 

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Written on September 23, 2021

Submitted by karlcfolkes on September 23, 2021

Modified by karlcfolkes on November 04, 2022

1:40 min read
314

Karl Constantine FOLKES

Retired educator of Jamaican ancestry with a lifelong interest in composing poetry dealing particularly with the metaphysics of self-reflection; completed a dissertation in Children’s Literature in 1991 at New York University entitled: An Analysis of Wilhelm Grimm’s ‘Liebe Mili’ (translated into English as “Dear Mili”), Employing Von Franzian Methodological Processes of Analytical Psychology. The subject of the dissertation concerned the process of Individuation. more…

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