Analysis of How Does The Tao See?



I see through
the prism of my imagination.
And I wonder:
Is that how everyone sees?
Is there a Way,
another Way of seeing?

How does the Tao see?
From what prism does the Tao view
the world?
Is Tao archetypal ?
 The archetypal image of the universe,
the Eternal prism?

Is Tao a prism,
an Edenic heavenly prism,
Hosting humanity,
In which humanity is encased,
eyes closed…
waiting to be opened?

Is this once more
the prism of my imagination,
my fertile imagination ,
steadfastly at work,
it’s own prisoner
of invented Time and Space?

Am I, are we…
Are we all inevitably prisoners?
Or are we freedmen,
freedmen and freed women,
as dreamers
of our imagination?

Is the Eternal Tao
outside of Time and Space,
outside of — beyond…
beyond all invented borders,
beyond mind…
beyond my fertile imagination?

Is Eternal Tao
beyond your thoughts and mine?
Beyond all thoughts…
Beyond all human thoughts…
Beyond mind…
Beyond human imagination?

Someone once said:
“Cogito ergo sum.”
(I think…
Therefore, I must certainly be).
How true…
Or how untrue is that?

Is not Tao,
the Eternal Tao Te Ching,
unlike that?
Is not Tao instead,
a Being and Non-Being ,
beyond imagination?

Is Tao then,
a pre-existing , thinking being,
beaming, ever beaming,
a potential manifest energy,
un-manifested…
It’s kinetic state yet unreleased?

Am I still seeing
through the prism of my imagination
which I possess,
and which possesses me
with thoughts…
with fertile thoughts of my imagination?

Upon reflection,
upon inspection…introspection
of my existence…
Is Tao that which shows the Way,
my gateway…
to what I am searching for?

Can Tao as prism
be our looking glass of wonder
to give us clarity,
collectively and individually ,
to be…
what we, potentially can become?


Scheme aBcxde faxxxg ggfxxx xBbxch fibbib jhxiKb jxllKb mgxfan jenmeb xeefxx ebxflb bbxddc gcfffg
Poetic Form
Metre 111 010110010 0110 111101 1101 0101110 11011 11101011 01 11110 0110101010 001010 11010 1110010 100100 010100101 11 101110 1111 010110010 1100010 1011 11100 1010101 1111 11101000100 1111 10110 110 1100010 100101 111101 11101 01101010 011 011100010 10101 011101 0111 011101 011 01100010 111 1101 11 1111001 11 110111 111 0010111 011 11101 0100110 010010 111 010101010 101010 001010100 1100 101011001 11110 1010110010 1101 010101 11 1101110010 01010 01010010 11010 1111101 11 1111101 11110 110101110 111100 0100001000 11 110100101
Closest metre Iambic trimeter
Characters 1,788
Words 355
Sentences 23
Stanzas 13
Stanza Lengths 6, 6, 6, 6, 6, 6, 6, 6, 6, 6, 6, 6, 6
Lines Amount 78
Letters per line (avg) 17
Words per line (avg) 4
Letters per stanza (avg) 104
Words per stanza (avg) 23

About this poem

Existential philosophers, novelists, poets, writers, (as examples, Heidegger, Dostoyevsky, Tilllich, Kierkegaard, Nietzsche, Kafka, Camus, de Beauvoir, Fanon, Ortega y Gasset, Sartre, Miguel de Unamuno), all anti-establishment dreamers as a lot, have been perplexed about, and meditated on, the meaning or the meaninglessness of life. King Solomon, despite all his glory, in the book of Ecclesiastes (as Qoheleth, the Preacher), pondered at old age, during the last days of his life, on this very arcane subject. Socrates, celebrated for his wisdom, had need of consulting the oracle at Delphi in search of discovering a truth greater than that possessed by mortal beings, thereby questioning his own knowledge and wisdom, as well as those of others. This poem invites us all to look deep within ourselves, to meditate upon the hidden, to turn to the Tao Te Ching, “The Way” of existence and of all reality, to consult the ancient Chinese oracle, and ask: “How does the Tao see?” 

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Written on November 29, 2021

Submitted by karlcfolkes on November 29, 2021

Modified by karlcfolkes on September 21, 2022

1:46 min read
946

Karl Constantine FOLKES

Retired educator of Jamaican ancestry with a lifelong interest in composing poetry dealing particularly with the metaphysics of self-reflection; completed a dissertation in Children’s Literature in 1991 at New York University entitled: An Analysis of Wilhelm Grimm’s ‘Liebe Mili’ (translated into English as “Dear Mili”), Employing Von Franzian Methodological Processes of Analytical Psychology. The subject of the dissertation concerned the process of Individuation. more…

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