Analysis of Adam Pos'd

Anne Kingsmill Finch 1661 – 1720 (Westminster)



Cou'd our First Father, at his toilsome Plough,
Thorns in his Path, and Labour on his Brow,
Cloath'd only in a rude, unpolish'd Skin,
Cou'd he a vain Fantastick Nymph have seen,
In all her Airs, in all her antick Graces,
Her various Fashions, and more various Faces;
How had it pos'd that Skill, which late assign'd
Just Appellations to Each several Kind!
A right Idea of the Sight to frame;
T'have guest from what New Element she came;
T'have hit the wav'ring Form, or giv'n this Thing a Name.


Scheme AABCDEFFGGG
Poetic Form
Metre 1101101111 101101111 11000111 11011111 0101010110 0100100110010 1111111101 101011101 0101010111 11111110011 111011111101
Closest metre Iambic hexameter
Characters 494
Words 92
Sentences 3
Stanzas 1
Stanza Lengths 11
Lines Amount 11
Letters per line (avg) 34
Words per line (avg) 8
Letters per stanza (avg) 378
Words per stanza (avg) 90
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Submitted on May 13, 2011

Modified on March 05, 2023

30 sec read
48

Anne Kingsmill Finch

Anne Finch, Countess of Winchilsea (née Kingsmill), was an English poet and courtier. Finch's works often express a desire for respect as a female poet, lamenting her difficult position as a woman in the literary establishment and the court, while writing of "political ideology, religious orientation, and aesthetic sensibility". Her works also allude to other female authors of the time, such as Aphra Behn and Katherine Phillips. Through her commentary on the mental and spiritual equality of the genders and the importance of women fulfilling their potential as a moral duty to themselves and to society, she is regarded as one of the integral female poets of the Restoration Era. Finch died in Westminster in 1720 and was buried at her home at Eastwell, Kent.  more…

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