Analysis of A November Night

Sara Teasdale 1884 (St. Louis) – 1933 (New York City)



There!  See the line of lights,
     A chain of stars down either side the street --
     Why can't you lift the chain and give it to me,
     A necklace for my throat?  I'd twist it round
     And you could play with it.  You smile at me
     As though I were a little dreamy child
     Behind whose eyes the fairies live. . . .  And see,
     The people on the street look up at us
     All envious.  We are a king and queen,
     Our royal carriage is a motor bus,
     We watch our subjects with a haughty joy. . . .
     How still you are!  Have you been hard at work
     And are you tired to-night?  It is so long
     Since I have seen you -- four whole days, I think.
     My heart is crowded full of foolish thoughts
     Like early flowers in an April meadow,
     And I must give them to you, all of them,
     Before they fade.  The people I have met,
     The play I saw, the trivial, shifting things
     That loom too big or shrink too little, shadows
     That hurry, gesturing along a wall,
     Haunting or gay -- and yet they all grow real
     And take their proper size here in my heart
     When you have seen them. . . .  There's the Plaza now,
     A lake of light!  To-night it almost seems
     That all the lights are gathered in your eyes,
     Drawn somehow toward you.  See the open park
     Lying below us with a million lamps
     Scattered in wise disorder like the stars.
     We look down on them as God must look down
     On constellations floating under Him
     Tangled in clouds. . . .  Come, then, and let us walk
     Since we have reached the park.  It is our garden,
     All black and blossomless this winter night,
     But we bring April with us, you and I;
     We set the whole world on the trail of spring.
     I think that every path we ever took
     Has marked our footprints in mysterious fire,
     Delicate gold that only fairies see.
     When they wake up at dawn in hollow tree-trunks
     And come out on the drowsy park, they look
     Along the empty paths and say, "Oh, here
     They went, and here, and here, and here!  Come, see,
     Here is their bench, take hands and let us dance
     About it in a windy ring and make
     A circle round it only they can cross
     When they come back again!" . . .  Look at the lake --
     Do you remember how we watched the swans
     That night in late October while they slept?
     Swans must have stately dreams, I think.  But now
     The lake bears only thin reflected lights
     That shake a little.  How I long to take
     One from the cold black water -- new-made gold
     To give you in your hand!  And see, and see,
     There is a star, deep in the lake, a star!
     Oh, dimmer than a pearl -- if you stoop down
     Your hand could almost reach it up to me. . . .

There was a new frail yellow moon to-night --
     I wish you could have had it for a cup
     With stars like dew to fill it to the brim. . . .

How cold it is!  Even the lights are cold;
     They have put shawls of fog around them, see!
     What if the air should grow so dimly white
     That we would lose our way along the paths
     Made new by walls of moving mist receding
     The more we follow. . . .  What a silver night!
     That was our bench the time you said to me
     The long new poem -- but how different now,
     How eerie with the curtain of the fog
     Making it strange to all the friendly trees!
     There is no wind, and yet great curving scrolls
     Carve themselves, ever changing, in the mist.
     Walk on a little, let me stand here watching
     To see you, too, grown strange to me and far. . . .
     I used to wonder how the park would be
     If one night we could have it all alone --
     No lovers with close arm-encircled waists
     To whisper and break in upon our dreams.
     And now we have it!  Every wish comes true!
     We are alone now in a fleecy world;
     Even the stars have gone.  We two alone!


Scheme AXBXBXBCXCXXXXXXXXXXXXXDEXXXXFGXXHXIJXBXJXBXKXKXXDAKLBMFB HXG LBHXIHBDXXXXIMBNXEXXN
Poetic Form
Metre 110111 0111110101 11110101111 0101111111 0111111111 1110010101 0111010101 0101011111 1100110101 10101010101 11101010101 1111111111 01110111111 1111111111 1111011101 1101001101 0111111111 0111010111 01110100101 1111111101 1101000101 1011011111 0111011011 1111110101 011111111 1101110011 1101110101 1001110101 1001010101 1111111111 101010101 1001110111 111101111010 11011101 1111011101 1101110111 11110011101 111010010010 1001110101 11111101011 0111010111 0101010111 1101010111 1111110111 0110010101 0101110111 1111011101 1101011101 1101010111 1111011111 0111010101 1101011111 1101110111 1110110101 1101100101 1101011111 111111111 1101110111 1111111101 1111111101 1111100111 1111110111 1101111101 11111010101 11111101010 0111010101 11101011111 01110111001 1101010101 1011110101 1111011101 1011010001 11010111110 1111111101 1111010111 1111111101 1101110101 11001001101 01111100111 1101100101 1001111101
Closest metre Iambic pentameter
Characters 3,886
Words 701
Sentences 67
Stanzas 3
Stanza Lengths 57, 3, 21
Lines Amount 81
Letters per line (avg) 33
Words per line (avg) 9
Letters per stanza (avg) 889
Words per stanza (avg) 249
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Submitted on May 13, 2011

Modified on April 02, 2023

3:31 min read
237

Sara Teasdale

Sara Trevor Teasdale was an American lyrical poet. She was born on august 8, 1884, in St. Louis, Missouri, and after her marriage in 1914 she went by the name Sara Teasdale Filsinger. Teasdale's first poem was published in Reedy's Mirror, a local newspaper, in 1907. Her first collection of poems, Sonnets to Duse and Other Poems, was published that same year. Teasdale's second collection of poems, Helen of Troy and Other Poems, was published in 1911. It was well received by critics, who praised its lyrical mastery and romantic subject matter. In the years 1911 to 1914, Teasdale was courted by several men, including poet Vachel Lindsay, who was absolutely in love with her but did not feel that he could provide enough money or stability to keep her satisfied. She chose instead to marry Ernst Filsinger, who had been an admirer of her poetry for a number of years, on December 19, 1914. Teasdale's third poetry collection, Rivers to the Sea, was published in 1915 and was a best seller, being reprinted several times. A year later, in 1916 she moved to New York City with Filsinger, where they resided in an Upper West Side apartment on Central Park West. In 1918, her poetry collection Love Songs (released 1917) won three awards: the Columbia University Poetry Society prize, the 1918 Pulitzer Prize for poetry and the annual prize of the Poetry Society of America. Filsinger was away a lot on business which caused a lot of loneliness for Teasdale. In 1929, she moved interstate for three months, thereby satisfying the criteria to gain a divorce. She did not wish to inform Filsinger, and only did so at the insistence of her lawyers as the divorce was going through - Filsinger was shocked and surprised. Post-divorce, Teasdale remained in New York City, living only two blocks away from her old home on Central Park West. She rekindled her friendship with Vachel Lindsay, who was by this time married with children. In 1933, she committed suicide by overdosing on sleeping pills. Her friend Vachel Lindsay had committed suicide two years earlier. She is interred in the Bellefontaine Cemetery in St. Louis. more…

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