Analysis of Just a glance

Amir Khusro 1253 (1253 Patiyali) – 1325 (Delhi)



You've taken away my looks, my identity, by just a glance.
You've taken away my looks, my identity, by just a glance.
By making me drink the wine of love-potion,
You've intoxicated me by just a glance;
My fair, delicate wrists with green bangles in them,
Have been held tightly by you with just a glance.
I give my life to you, Oh my cloth-dyer,
You've dyed me in yourself, by just a glance.
I give my whole life to you Oh, Nijam,
You've made me your bride, by just a glance.
You've taken away my looks, my identity, by just a glance.


Scheme AAbacadacaA
Poetic Form
Metre 1100111101001101 1100111101001101 11011011110 1010011101 111001111001 11110111101 11111111110 1110011101 111111111 111111101 1100111101001101
Closest metre Iambic hexameter
Characters 533
Words 105
Sentences 7
Stanzas 1
Stanza Lengths 11
Lines Amount 11
Letters per line (avg) 37
Words per line (avg) 9
Letters per stanza (avg) 402
Words per stanza (avg) 103
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Submitted on May 13, 2011

Modified on April 25, 2023

33 sec read
85

Amir Khusro

Abu'l Hasan Yamīn ud-Dīn Khusrau (Urdu: ابو الحسن یمین الدین خسرو‎) (1253–1325), better known as Amīr Khusrau Dehlavī (Also known as 'Amir Khusro امیر خسرو') was a Sufi singer, poet and scholar from India. He was an iconic figure in the cultural history of the Indian subcontinent. He was a mystic and a spiritual disciple of Nizamuddin Auliya of Delhi, India. He wrote poetry primarily in Persian, but also in Hindavi. A vocabulary in verse, the Ḳhāliq Bārī, containing Arabic, Persian, and Hindavi terms is often attributed to him. Khusrau is sometimes referred to as the "voice of India" or "Parrot of India" (Tuti-e-Hind), and has been called the "father of Urdu literature."Khusrau is regarded as the "father of qawwali" (a devotional form of singing of the Sufis in the Indian subcontinent), and introduced the ghazal style of song into India, both of which still exist widely in India and Pakistan. Khusrau was an expert in many styles of Persian poetry which were developed in medieval Persia, from Khāqānī's qasidas to Nizami's khamsa. He used 11 metrical schemes with 35 distinct divisions. He wrote in many verse forms including ghazal, masnavi, qata, rubai, do-baiti and tarkib-band. His contribution to the development of the ghazal was significant.  more…

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