Analysis of Manchester

Letitia Elizabeth Landon 1802 (Chelsea) – 1838 (Cape Coast)



Go back a century on the town,
     That o’er yon crowded plain,
With wealth its dower, and art its crown,
     Extends its proud domain.
Upon that plain a village stood,
     Lonely, obscure, and poor ;
The sullen stream rolled its dull flood
     Amid a barren moor.

Now, mark the hall, the church, the street,
     The buildings of to-day ;
Behold the thousands now that meet
     Upon the peopled way.
Go, silent with the sense of power,
     And of the mighty mind
Which thus can animate the hour,
     And leave its work behind.

Go through that city, and behold
     What intellect can yield,
How it brings forth an hundred-fold
     From time’s enduring field.
Those walls are filled with wealth, the spoil
     Of industry and thought,
The mighty harvest which man’s toil
     Out of the past has wrought.

Science and labour here unite
     The thoughtful and the real,
And here man’s strength puts forth its might
     To work out man's ideal.
The useful is the element
     Here laboured by the mind,
Which, on the active present bent,
     Invented and combin’d.

The product of that city, now
     Far distant lands consume;
The Indian wears around his brow
     The white webs of her loom.
Her vessels sweep from East to West ;
     Her merchants are like kings ;
While wonders in her walls attest
     The power that commerce brings.

From wealth hath sprung up nobler fruit,
     Taste link'd with arts divine;
The Gallery and the Institute
     Enlighten and refine.
And many an happy English home
     With love and peace repays
The care that may be yet to come,
     The toil of early days.

Had I to guide a stranger’s eye
     Around our glorious land,
Where yonder wondrous factories lie
     I’d bid that stranger stand.
Let the wide city spread displayed
     Beneath the morning sun,
And in it see for England’s trade
     What yonder town hath done.*

*“In a speech last year, at the British Association, Mr. Brand well advised the members to take the manufacturing districts of England on their way to the north, and to explore the wonders there accumulated. Manchester is the great miracle of modern progress. Science, devoted to utility and industry, have achieved the must wonderful results. Intellectual advancement denoted in a taste for literature and the fine arts,—employment for the highest as well as the lowest;—public buildings, liberal institutions, and all that can mark wealth, and a knowledge of its best purposes ;— all this is the growth of a single century.”


Scheme ABABCXXX DEDEFGFG HIHIJKJK LMLMXGXC NONOPQPQ RSRSXTXT UVUVWXWX X
Poetic Form
Metre 110100101 111101 11110111 011101 01110101 100101 01011111 010101 11010101 010111 01010111 010101 110101110 010101 111100010 011101 11110001 11011 11111101 110101 11111101 110001 01010111 110111 100111 010001 01111111 111101 01010100 11101 11010101 01001 01011101 110101 010010111 011101 01011111 010111 11000101 0101101 11111101 111101 01000010 010001 010110101 11011 01111111 011101 11110101 01101001 110101001 111101 10110101 010101 00111101 110111 00111101000101011010101100100101101111010101010101001010110011011001010100010010101100010100010010001110000011010101011101010101000100111110010111100111011010100
Closest metre Iambic pentameter
Characters 2,505
Words 413
Sentences 20
Stanzas 8
Stanza Lengths 8, 8, 8, 8, 8, 8, 8, 1
Lines Amount 57
Letters per line (avg) 33
Words per line (avg) 7
Letters per stanza (avg) 233
Words per stanza (avg) 52
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Submitted by Madeleine Quinn on December 21, 2016

Modified on March 05, 2023

2:04 min read
112

Letitia Elizabeth Landon

Letitia Elizabeth Landon was an English poet. Born 14th August 1802 at 25 Hans Place, Chelsea, she lived through the most productive period of her life nearby, at No.22. A precocious child with a natural gift for poetry, she was driven by the financial needs of her family to become a professional writer and thus a target for malicious gossip (although her three children by William Jerdan were successfully hidden from the public). In 1838, she married George Maclean, governor of Cape Coast Castle on the Gold Coast, whence she travelled, only to die a few months later (15th October) of a fatal heart condition. Behind her post-Romantic style of sentimentality lie preoccupations with art, decay and loss that give her poetry its characteristic intensity and in this vein she attempted to reinterpret some of the great male texts from a woman’s perspective. Her originality rapidly led to her being one of the most read authors of her day and her influence, commencing with Tennyson in England and Poe in America, was long-lasting. However, Victorian attitudes led to her poetry being misrepresented and she became excluded from the canon of English literature, where she belongs. more…

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