Analysis of The Aisle of Tombs

Letitia Elizabeth Landon 1802 (Chelsea) – 1838 (Cape Coast)



The interior of Chester-le-Street church, Durham, contains a singular collection of monuments, bearing effigies of the deceased ancestry of the Lumley family, from the time of Liulphus to the reign of Queen Elizabeth.

The quiet and the chillness
    Of the aisle of tombs;
The shadow and the stillness
    A rosy light illumes:
        Like the memory of the past,
    On the carved arms delaying,
On the marble pall
    O’er the blood-red scutcheon playing
With a crimson fall,
        Into sudden sunshine cast
            Are the ancient warriors,
            The warriors of olden time.

So with kindled heart we love them,
    Dwelling on their fame,
So doth memory fling above them
    Its shadow of a name;
        Noblest shadow flung on earth:
We remember many a story
    Of the old chivalric day,
When the red cross, like a glory,
    Shone above the fray;
        ’Twas a glorious age gave birth
            To the ancient warriors,
            The warriors of olden time.

Though the sword no more be trusted
    As it was of old;
Tho’ the shining spear be rusted,
    And the right hand cold;
        They have left their fame behind,
Still a spirit from their slumbers
    Rises true and brave;
Asks the minstrel for his numbers,
    Music from their grave:
        Noble, gentle, valiant, kind,
            Were the ancient warriors.
            The warriors of olden time.

All their meaner part hath perished,
    In the earth at rest;
And the present hour hath cherished
    What of them was best.
        What a knight should be we keep;
For the present doth inherit
    All the glories of the past;
We retain what was its spirit,
    While its dust to dust is cast,
        All good angels guard the sleep
            Of the ancient warriors,
            The warriors of olden time.


Scheme x aaaabcxcxbaD efefghihigaD xjxjkalalkaD mnmnopbpboaD
Poetic Form
Metre 001001100111001010001011001011001100101010010111101110100 010001 10111 010010 01011 10100101 1011010 10101 1011110 10101 011011 1010100 01001101 11101111 10111 111001011 11101 101111 101010010 10111 10111010 10101 10100111 1010100 01001101 10111110 11111 10101110 00111 1111101 1010111 10101 10101110 10111 1010101 0010100 01001101 11101110 00111 001010110 11111 1011111 10101010 1010101 10111110 1111111 1110101 1010100 01001101
Closest metre Iambic tetrameter
Characters 1,796
Words 282
Sentences 7
Stanzas 5
Stanza Lengths 1, 12, 12, 12, 12
Lines Amount 49
Letters per line (avg) 25
Words per line (avg) 6
Letters per stanza (avg) 249
Words per stanza (avg) 56
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Submitted by Madeleine Quinn on February 25, 2020

Modified on March 05, 2023

1:24 min read
21

Letitia Elizabeth Landon

Letitia Elizabeth Landon was an English poet. Born 14th August 1802 at 25 Hans Place, Chelsea, she lived through the most productive period of her life nearby, at No.22. A precocious child with a natural gift for poetry, she was driven by the financial needs of her family to become a professional writer and thus a target for malicious gossip (although her three children by William Jerdan were successfully hidden from the public). In 1838, she married George Maclean, governor of Cape Coast Castle on the Gold Coast, whence she travelled, only to die a few months later (15th October) of a fatal heart condition. Behind her post-Romantic style of sentimentality lie preoccupations with art, decay and loss that give her poetry its characteristic intensity and in this vein she attempted to reinterpret some of the great male texts from a woman’s perspective. Her originality rapidly led to her being one of the most read authors of her day and her influence, commencing with Tennyson in England and Poe in America, was long-lasting. However, Victorian attitudes led to her poetry being misrepresented and she became excluded from the canon of English literature, where she belongs. more…

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