Analysis of Windsor Forest



Thy forests, Windsor! and thy green retreats,
At once the Monarch's and the Muse's seats,
Invite my lays. Be present, sylvan maids!
Unlock your springs, and open all your shades.
Granville commands; your aid O Muses bring!
What Muse for Granville can refuse to sing?
The groves of Eden, vanish'd now so long,
Live in description, and look green in song:
These, were my breast inspir'd with equal flame,
Like them in beauty, should be like in fame.
Here hills and vales, the woodland and the plain,
Here earth and water, seem to strive again;
Not Chaos like together crush'd and bruis'd,
But as the world, harmoniously confus'd:
Where order in variety we see,
And where, tho' all things differ, all agree.
Here waving groves a checquer'd scene display,
And part admit, and part exclude the day;
As some coy nymph her lover's warm address
Nor quite indulges, nor can quite repress.
There, interspers'd in lawns and opening glades,
Thin trees arise that shun each other's shades.
Here in full light the russet plains extend;
There wrapt in clouds the blueish hills ascend.
Ev'n the wild heath displays her purple dyes,
And 'midst the desart fruitful fields arise,
That crown'd with tufted trees and springing corn,
Like verdant isles the sable waste adorn.
Let India boast her plants, nor envy we
The weeping amber or the balmy tree,
While by our oaks the precious loads are born,
And realms commanded which those trees adorn.
Not proud Olympus yields a nobler sight,
Tho' Gods assembled grace his tow'ring height,
Than what more humble mountains offer here,
Where, in their blessings, all those Gods appear.
See Pan with flocks, with fruits Pomona crown'd,
Here blushing Flora paints th' enamel'd ground,
Here Ceres' gifts in waving prospect stand,
And nodding tempt the joyful reaper's hand;
Rich Industry sits smiling on the plains,
And peace and plenty tell, a Stuart reigns.
Not thus the land appear'd in ages past,
A dreary desart and a gloomy waste,
To savage beasts and savage laws a prey,
And kings more furious and severe than they;
Who claim'd the skies, dispeopled air and floods,
The lonely lords of empty wilds and woods:
Cities laid waste, they storm'd the dens and caves,
(For wiser brutes were backward to be slaves):
What could be free, when lawless beasts obey'd,
And ev'n the elements a Tyrant sway'd?
In vain kind seasons swell'd the teeming grain,
Soft show'rs distill'd, and suns grew warm in vain;
The swain with tears his frustrate labour yields,
And famish'd dies amidst his ripen'd fields.
What wonder then, a beast or subject slain
Were equal crimes in a despotick reign?
Both doom'd alike, for sportive Tyrants bled,
But that the subject starv'd, the beast was fed.
Proud Nimrod first the bloody chace began,
A mighty hunter, and his prey was man:
Our haughty Norman boasts that barb'rous name,
And makes his trembling slaves the royal game.
The fields are ravish'd from th' industrious swains,
From men their cities, and from Gods their fanes:
The levell'd towns with weeds lie cover'd o'er;
The hollow winds thro' naked temples roar;
Round broken columns clasping ivy twin'd;
O'er heaps of ruin stalk'd the stately hind;
The fox obscene to gaping tombs retires,
And savage howlings fill the sacred quires.
Aw'd by his Nobles, by his Commons curst,
Th' Oppressor rul'd tyrannic where he durst,
Stretch'd o'er the Poor and Church his iron rod,
And serv'd alike his Vassals and his God.
Whom ev'n the Saxon spar'd, and bloody Dane,
The wanton victims of his sport remain.
But see, the man who spacious regions gave
A waste for beasts, himself deny'd a grave!
Stretch'd on the lawn, his second hope survey,
At once the chaser, and at once the prey:
Lo Rufus, tugging at the deadly dart,
Bleeds in the forest, like a wounded hart.
Succeeding Monarchs heard the subjects cries,
Nor saw displeas'd the peaceful cottage rise.
Then gath'ring flocks on unknown mountains fed,
O'er sandy wilds were yellow harvests spread,
The forests wonder'd at th' unusual grain,
And secret transport touch'd the conscious swain.
Fair Liberty, Britannia's Goddess, rears
Her chearful head, and leads the golden years.
Ye vig'rous swains! while youth ferments your blood,
And purer spirits swell the sprightly flood,
Now range the hills, the thickest woods beset,
Wind the shrill horn, or spread the waving net.
When milder autumn summer's heat succeeds,
And in the new-shorn field the partridge feeds,
Before his lord the ready spaniel bounds,
Panting with hope, he tries the furrow'd


Scheme Text too long
Poetic Form
Metre 1101001101 11010011 0111110101 0111010111 1001111101 1111010111 0111010111 1001001101 10110101101 1101011101 110101001 1101011101 1101010101 11010100001 1100010011 0111110101 110101101 0101010101 111101011 1101011101 1010101001 1101111101 1011010101 1101010101 11011010101 010110101 1111010101 1101010101 11001011101 0101010101 11101010111 0101011101 1101010101 1101011111 1111010101 1011011101 1111110101 110101110101 1101010101 010101011 1100110101 0101010101 1101010101 010100101 1101010101 01110000111 11011101 0101110101 1011110101 1101010111 1111110101 01101000101 0111010101 1101011101 01111111 0101011101 1101011011 01010011 110111101 1100110111 1101010101 0101001111 1010101111 01110010101 011111101001 1111001111 01011111010 0101110101 110101101 10111010101 0101110101 010110101 1111011101 1101011111 11001011101 0101110011 11101010101 0101011101 1101110101 011101101 1101110101 1101001101 1101010101 1001010101 010110101 1101010101 1111101101 10101010101 010101110101 0100110101 11001101 011010101 111110111 0101010101 1101010101 1011110101 1101010101 0001110101 0111010101 101111010
Closest metre Iambic pentameter
Characters 4,406
Words 758
Sentences 31
Stanzas 1
Stanza Lengths 100
Lines Amount 100
Letters per line (avg) 35
Words per line (avg) 8
Letters per stanza (avg) 3,521
Words per stanza (avg) 758
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Submitted on May 13, 2011

Modified on April 30, 2023

4:04 min read
435

Alexander Pope

Alexander Pope (1688-1744) is regarded as one of the greatest English poets, and the foremost poet of the early eighteenth century. He is best known for his satirical and discursive poetry, including The Rape of the Lock, The Dunciad, and An Essay on Criticism, as well as for his translation of Homer. more…

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