Possession

Muriel Stuart 1885 – 1967



MOST blessed one, how can I let thee go?
Canst thou forswear the nightingale its tune--
Stay the young sea from following his moon--
Bid hyacinth put out her blue light? Oh,
Thou art not mine but Me! and being so
How canst thou bid my year stop short of June,
Or hold my feet from following thine so soon,
Or bid me build on Heaven's overthrow?
Nay, how can I put off thy presence? Where
Should my soul serve without thy sanctities?
I kneel beside thee, I who am a child
In thy man's hand, cling to thee spent and wild
Until my face is hidden in my hair,
And I fall weeping, weeping, at they knees!

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Submitted on May 13, 2011

Modified on March 05, 2023

36 sec read
96

Quick analysis:

Scheme ABBAABBACDEECD
Closest metre Iambic pentameter
Characters 606
Words 120
Stanzas 1
Stanza Lengths 14

Muriel Stuart

Muriel Stuart was The daughter of a Scottish barrister was a poet particularly concerned with the topic of sexual politics though she first wrote poems about World War I She later gave up poetry writing her last work was published in the 1930s She was born Muriel Stuart Irwin She was hailed by Hugh MacDiarmid as the best woman poet of the Scottish Renaissance although she was not Scottish but English Despite this his comment led to her inclusion in many Scottish anthologies Thomas Hardy described her poetry as Superlatively good Her most famous poem In the Orchard is entirely dialogs and in no kind of verse form which makes it innovative for its time She does use rhyme a mixture of half-rhyme and rhyming couplets abab form Other famous poems of hers are The Seed Shop The Fools and Man and his Makers Muriel also wrote a gardening book called Gardeners Nightcap 1938 which was later reprinted by Persephone Books more…

All Muriel Stuart poems | Muriel Stuart Books

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    Repeated use of words for effect and emphasis is called ________.
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