Analysis of Tenebrae



At the chill high tide of the night,
  At the turn of the fluctuant hours,
When the waters of time are at height,
In a vision arose on my sight
  The kingdoms of earth and the powers.

In a dream without lightening of eyes
  I saw them, children of earth,
Nations and races arise,
Each one after his wise,
  Signed with the sign of his birth.

Sound was none of their feet,
  Light was none of their faces;
In their lips breath was not, or heat,
But a subtle murmur and sweet
  As of water in wan waste places.

Pale as from passionate years,
  Years unassuaged of desire,
Sang they soft in mine ears,
Crowned with jewels of tears,
  Girt with girdles of fire.

A slow song beaten and broken,
  As it were from the dust and the dead,
As of spirits athirst unsloken,
As of things unspeakable spoken,
  As of tears unendurable shed.

In the manifold sound remote,
  In the molten murmur of song,
There was but a sharp sole note
Alive on the night and afloat,
  The cry of the world's heart's wrong.

As the sea in the strait sea-caves,
  The sound came straitened and strange;
A noise of the rending of graves,
A tidal thunder of waves,
  The music of death and of change.

"We have waited so long," they say,
  "For a sound of the God, for a breath,
For a ripple of the refluence of day,
For the fresh bright wind of the fray,
  For the light of the sunrise of death.

"We have prayed not, we, to be strong,
  To fulfil the desire of our eyes;
- Howbeit they have watched for it long,
Watched, and the night did them wrong,
  Yet they say not of day, shall it rise?

"They are fearful and feeble with years,
  Yet they doubt not of day if it be;
Yea, blinded and beaten with tears,
Yea, sick with foresight of fears,
  Yet a little, and hardly, they see.

"We pray not, we, for the palm,
  For the fruit ingraffed of the fight,
For the blossom of peace and the balm,
And the tender triumph and calm
  Of crownless and weaponless right.

"We pray not, we, to behold
  The latter august new birth,
The young day's purple and gold,
And divine, and rerisen as of old,
  The sun-god Freedom on earth.

"Peace, and world's honour, and fame,
  We have sought after none of these things;
The light of a life like flame
Passing, the storm of a name
  Shaking the strongholds of kings:

"Nor, fashioned of fire and of air,
  The splendour that burns on his head
Who was chiefest in ages that were,
Whose breath blew palaces bare,
  Whose eye shone tyrannies dead:

"All these things in your day
  Ye shall see, O our sons, and shall hold
Surely; but we, in the grey
Twilight, for one thing we pray,
  In that day though our memories be cold:

"To feel on our brows as we wait
  An air of the morning, a breath
From the springs of the east, from the gate
Whence freedom issues, and fate,
  Sorrow, and triumph, and death

"From a land whereon time hath not trod,
  Where the spirit is bondless and bare,
And the world's rein breaks, and the rod,
And the soul of a man, which is God,
  He adores without altar or prayer:

For alone of herself and her right
  She takes, and alone gives grace:
And the colours of things lose light,
And the forms, in the limitless white
  Splendour of space without space:

"And the blossom of man from his tomb
  Yearns open, the flower that survives;
And the shadows of changes consume
In the colourless passionate bloom
  Of the live light made of our lives:

"Seeing each life given is a leaf
  Of the manifold multiform flower,
And the least among these, and the chief,
As an ear in the red-ripe sheaf
  Stored for the harvesting hour.

"O spirit of man, most holy,
  The measure of things and the root,
In our summers and winters a lowly
Seed, putting forth of them slowly
  Thy supreme blossom and fruit;

"In thy sacred and perfect year,
  The souls that were parcel of thee
In the labour and life of us here
Shall be rays of thy sovereign sphere,
  Springs of thy motion shall be.

"There is the fire that was man,
  The light that was love, and the breath
That was hope ere deliverance began,
And the wind that was life for a span,
  And the birth of new things, which is death

There, whosoever had light,
  And, having, for men's sake gave;
All that warred against night;
All tha


Scheme ABAAB CDCCD EFEEF BGHHG IJIIJ KLKKL MNMMN OPOOP LCLLC BQHHQ RARRA SDSSD TUTTU VJGVJ OSOOS WPWWP YVYYG AZAAZ 1 2 1 1 2 3 G3 3 G Q4 QQ4 5 QX5 Q 6 P6 6 P AXAD
Poetic Form
Metre 10111101 10110110 101011111 001001111 010110010 0010110011 1111011 1001001 111011 1101111 111111 1111110 01111111 10101001 111001110 1111001 111010 111011 111011 111110 01110010 110101001 111011 111010010 11111 0010101 00101011 1110111 01101001 0110111 10100111 011101 01101011 0101011 01011011 11101111 101101101 101010111 10111101 10110111 11111111 1100101101 1111111 1001111 111111111 111001011 111111111 11001011 111111 101001011 1111101 1011101 101011001 00101001 11011 1111101 0101011 0111001 00101111 0111011 101101 111101111 0110111 1001101 100111 110110011 0111111 11101010 1111001 1111001 111011 1111101011 1011001 111111 01111010011 111101111 11101001 101101101 1101001 1001001 10111111 10101101 00111001 001101111 101011011 101101001 1100111 0011111 001001001 111011 001011111 110010101 00111001 0011001 101111101 101110101 1010110 001011001 11100111 11010010 11011110 01011001 01010010010 11011110 1011001 01100011 01101011 00101111 11111101 1111011 11010111 01111001 1111010001 001111101 001111111 101011 0101111 111011 11
Closest metre Iambic tetrameter
Characters 4,069
Words 782
Sentences 15
Stanzas 24
Stanza Lengths 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 4
Lines Amount 119
Letters per line (avg) 26
Words per line (avg) 7
Letters per stanza (avg) 131
Words per stanza (avg) 33
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Submitted on May 13, 2011

Modified on March 05, 2023

3:56 min read
93

Algernon Charles Swinburne

 · 1837 · London
 · 1909 · London

Algernon Charles Swinburne was an English poet, playwright, novelist, and critic. He wrote several novels and collections of poetry such as Poems and Ballads, and contributed to the famous Eleventh Edition of the Encyclopædia Britannica. Swinburne wrote about many taboo topics, such as lesbianism, cannibalism, sado-masochism, and anti-theism. His poems have many common motifs, such as the ocean, time, and death. Several historical people are featured in his poems, such as Sappho ("Sapphics"), Anactoria ("Anactoria"), Jesus ("Hymn to Proserpine": Galilaee, La. "Galilean") and Catullus ("To Catullus"). more…

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