Analysis of Where Gender Has Become Non Gendered



We now live in a machine age of people who, having once been created in the image of God, have become transmogrified into the image of robots.
 That is the new age of our modern technology, where we, as elders of a previous generation, as “The People of the Book,” now find ourselves steadily being replaced by robotic machine folk who proudly identify themselves as nonbinary elves, as selfish elves; as selfish selfless selves of a feckless self-determined Generation Zero, generated by a new robotic technology of the non spiritual; where gender as a marker of identity no longer applies,  and where those who were once living souls have become dehumanized and non-gendered.
That is the haunting perilous illness of our present technological nonbinary machine age. Oh, the irony!  Our people desiring to be gods,  have sadly become machines.


Scheme ABC
Poetic Form Tercet 
Metre 111000111101101101000101110110101011 11011110100100111101010001010101011100110010111001111001001111110111010110101010010101001011001001011000110101010100110010111011011010100011 1101010010110100100101110100101001001111100101
Characters 849
Words 142
Sentences 5
Stanzas 1
Stanza Lengths 3
Lines Amount 3
Letters per line (avg) 227
Words per line (avg) 47
Letters per stanza (avg) 680
Words per stanza (avg) 142

About this poem

The peril of a new nonbinary machine age

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Written on March 15, 2024

Submitted by karlcfolkes on March 15, 2024

Modified by karlcfolkes on March 21, 2024

42 sec read
45

Karl Constantine FOLKES

 · 1935 · Portland

Retired educator of Jamaican ancestry with a lifelong interest in composing poetry dealing particularly with the metaphysics of self-reflection; completed a dissertation in Children’s Literature in 1991 at New York University entitled: An Analysis of Wilhelm Grimm’s ‘Liebe Mili’ (translated into English as “Dear Mili”), Employing Von Franzian Methodological Processes of Analytical Psychology. The subject of the dissertation concerned the process of Individuation. more…

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