Analysis of Rosalie



'Tis a wild tale—and sad, too, as the sigh
That young lips breathe when love's first dreamings fly;
When blights and cankerworms, and chilling showers,
Come withering o'er the warm heart's passion-flowers.
Love! gentlest spirit! I do tell of thee,—
    Of all thy thousand hopes, thy many fears,
    Thy morning blushes, and thy evening tears;
What thou hast ever been, and still will be,—
Life's best, but most betraying witchery!
    It is a night of summer,—and the sea
Sleeps, like a child, in mute tranquillity.
Soft o'er the deep-blue wave the moonlight breaks;
    Gleaming, from out the white clouds of its zone,
Like beauty's changeful smile, when that it seeks
    Some fact it loves yet fears to dwell upon.
The waves are motionless, save where the oar,
    Light as Love's anger, and as quickly gone,
Has broken in upon their azure sleep.
    Odours are on the air:—the gale has been
Wandering in groves where the rich roses weep,—
Where orange, citron, and soft lime-flowers
Shed forth their fragrance to night's dewy hours.
Afar the distant city meets the gaze,
    Where tower and turret in the pale light shine,
Seen like the monuments of other days—
Monuments Time half shadows, half displays.
    And there are many, who, with witching song
And wild guitar's soul-thrilling melody,
    Or the lute's melting music, float along
O'er the blue waters, still and silently.
That night had NAPLES sent her best display
Of young and gallant, beautiful and gay.

There was a bark a little way apart
    From all the rest, and there two lovers leant:—
One with a blushing cheek and beating heart,
    And bashful glance, upon the sea-wave bent;
    She might not meet the gaze the other sent
Upon her beauty;—but the half-breathed sighs,⁠.  }
The deepening colour, timid smiling eyes,⁠.            }
Told that she listened Love's sweet flatteries.⁠.      }
Then they were silent:—words are little aid.      
To Love, whose deepest vows are ever made.
By the heart's beat alone. Oh, silence is
Love's own peculiar eloquence of bliss!—
Music swept past:—it was a simple tone;
    But it has wakened heartfelt sympathies;—
It has brought into life things past and gone;
    Has wakened all those secret memories,
That may be smothered, but that still will be
Present within thy soul, young Rosalie!
The notes had roused an answering chord within:—
In other days, that song her vesper hymn had been.
Her altered look is pale:—that dewy eye
    Almost belies the smile her rich lips wear;—
That smile is mocked by a scarce breathing sigh,
    Which tells of silent and suppressed care—
    Tells that the life is withering with despair,
More irksome from its unsunned silentness—
    A festering wound the spirit pines to bear;
A galling chain, whose pressure will intrude,
Fettering Mirth's step, and Pleasure's lightest mood.

Where are her thoughts thus wandering?—A spot,
    Now distant far, is pictured on her mind,—
A chesnut shadowing a low white cot,
    With rose and jasmine round the casement twined,
    Mixed with the myrtle-tree's luxuriant blind.
Alone, (oh! should such solitude be here?)
    An aged form beneath the shade reclined,
Whose eye glanced round the scene;—and then a tear
    Told that she missed one in her heart enshrined!
Then came remembrances of other times,
    When eve oped her rich bowers for the pale day;
When the faint distant tones of convent chimes
    Were answered by the lute and vesper lay;—
When the fond mother blest her gentle child,
And for her welfare prayed the Virgin mild.

And she has left the aged one to steep
    Her nightly couch with tears for that lost child,—
The Rosalie,—who left her age to weep,
    When that tempter flattered her and wiled
    Her steps away, from her own home beguiled.

She started up in agony:—her eye
    Met MANFREDI's. Softly he spoke, and smiled.
Memory is past, and thought and feeling lie
Lost in one dream—all thrown on one wild die.
They floated o'er the waters, till the moon
Looked from the blue sky in her zenith noon,—
Till each glad bark at length had sought the shore,
And the waves echoed to the lute no more;—
Then sought their gay palazzo, where the ray
Of lamps shed light only less bright than day;
And there they feasted till the morn did fling
Her blushes o'er their mirth and revelling.
    And life was as a tale of faërie,—
As when some Eastern genie rears bright bowers,
And spreads the green turf and the coloured flowers;
And calls upon the earth, the sea, the sky,
To yield their treasures for some gentle queen,
Whose reign is over the enchanted scene.
And Rosalie had pledged a magic cup—
    The maddening cup of pleasure and of love!
There was for her one only dream on earth!
    There was for her one only star above!—
She bent in passionate idolatry
Before her heart's sole idol—MANFREDI!

'Tis night again—a soft and summer night;—
A deep-blue heaven, white clouds, moon and starlight;—
So calm, so beautiful, that human eye
Might weep to look on such a tranquil sky:—
A night just formed for Hope's first dream of bliss,
Or for Love's yet more perfect happiness!

The moon is o'er a grove of cypress trees,
Weeping, like mourners, in the plaining breeze;
Echoing the music of a rill, whose song
Glided so sweetly, but so sad, along.
    There is a little chapel in the shade,
Where many a pilgrim has knelt down and prayed
To the sweet saint, whose portrait, o'er the shrine,
The painter's skill has made all but divine.
It was a pale, a melancholy face—
    A cheek which bore the trace of frequent tears,
And worn by grief,—though grief might not efface
    The seal that beauty set in happier years;
And such a smile as on the brow appears
    Of one whose earthly thoughts, long since subdued
Past this life's joys and sorrows, hopes and fears—
    The worldly dreams o'er which the many brood,—
    The heart-beat hushed in mild and chastened mood.
It was the image of the maid who wept
    Those precious tears that heal and purify.
Love yet upon her life his station kept,
    But heaven and heavenly thoughts were in her eye.
One knelt before the shrine, with cheek as pale.
    As was the cold white marble. Can this be
    The young—the loved—the happy ROSALIE?
Alas! alas! her's is a common tale:—
She trusted,—as youth ever has believed;—
She heard Love's vows—confided—was deceived!

Oh, Love! thy essence is thy purity!
    Breathe one unhallowed breath upon thy flame,
And it is gone for ever,—and but leaves
    A sullied vase—its pure light lost in shame!

And ROSALIE was loved,—not with that pure
And holy passion which can age endure;
But loved with wild and self-consuming fires,—
A torch which glares—and scorches—and expires.
A little while her dream of bliss remained,—
A little while Love's wings were left unchained.
But change came o'er the trusted MANFREDI:
His heart forgot its vowed idolatry;
And his forgotten love was left to brood
O'er wrongs and ruin in her solitude!

How very desolate that breast must be,
Whose only joyance is in memory!
And what must woman suffer, thus betrayed?—
Her heart's most warm and precious feelings made
But things wherewith to wound: that heart—so weak,
So soft—laid open to the vulture's beak!
Its sweet revealings given up to scorn
It burns to bear, and yet that must be borne!
And, sorer still, that bitterer emotion,
To know the shrine which had our soul's devotion
Is that of a false deity!—to look
Upon the eyes we worshipped, and brook
Their cold reply! Yet, these are all for her!—
The rude world's outcast, and love's wanderer!
Alas! that love, which is so sweet a thing,
Should ever cause guilt, grief, or suffering!
Yet she upon whose face the sunbeams fall—
That dark-eyed girl—had felt their bitterest thrall!

She thought upon her love; and there was not
In passion's record one green sunny spot—
It had been all a madness and a dream,
The shadow of a flower on the stream,
Which seems, but is not: and then memory turned
To her lone mother. How her bosom burned
With sweet and bitter thoughts! There might be rest—
The wounded dove will flee into her nest—
That mother's arms might fold her child again.
The cold world scorn, the cruel smite in vain,
And falsehood be remembered no more,
In that calm shelter:—and she might weep o'er
Her faults and find forgiveness. Had not she
    To whom she knelt found pardon in the eyes
    Of Heaven, in offering for sacrifice
A broken heart? And might not pardon be
Also for her? She looked up to the face
    Of that pale saint; and in that gentle brow,
Which seemed to hold communion with her thought,
    There was a smile which gave hope energy.
She prayed one deep wild prayer,—that she might gain
The home she hoped:—then sought that home again.

A flush of beauty is upon the sky—
Eve's last warm blushes—like the crimson dye
The maiden wears, when first her dark eyes meet
The graceful lover's, sighing at her feet.
And there were sound of music on the breeze,
And perfume shaken from the citron trees;
While the dark chesnuts caught a golden ray
On their green leaves, the last bright gift of day;
And peasants dancing gaily in the shade
To the soft mandolin, whose light notes made
An echo fit to the glad voices singing.
The twilight spirit his sweet urn is flinging
Of dew upon the lime and orange-stems,
And giving to the rose pearl diadems.

There is a pilgrim by that old grey tree,
With head upon her hand, bent mournfully;
And looking round upon each lovely thing,
And breathing the sweet air, as they could bring
To her no beauty and no solacing.
'Tis ROSALIE! Her prayer was not in vain.
The truant-child has sought her home again!

It must be worth a life of toil and care,—
Worth those dark chains the wearied one must bear
Who toils up fortune's steep,—all that can wring
The worn-out bosom with lone-suffering,—
Worth restlessness, oppression, goading fears,
And long-deferred hopes of many years,—
To reach again that little quiet spot,
So well loved once, and never quite forgot;—
To trace again the steps of infancy,
And catch their freshness from their memory!
And it is triumph, sure, when fortune's sun
Has shone upon us, and our task is done,
To show our harvest to the eyes which were
Once all the world to us! Perhaps there are
Some who had presaged kindly of our youth.
Feel we not proud their prophecy was sooth?
But how felt ROSALIE?—The very air
    Seemed as it brought reproach! there was no eye
To look delighted, welcome none was there!
    She felt as feels an outcast wandering by
Where every door is closed! She looked around;—
She heard some voices' sweet familiar sound.
There were some changed, and some remembered things:—
There were girls, whom she left in their first springs,
Now blushed into full beauty. There was one
Whom she loved tenderly in days now gone!
She was not dancing gaily with the rest:
A rose-cheeked child within her arms was prest;
And it had twined its small hands in the hair
That clustered o'er its mother's brow: as fair
As buds in spring. She gave her laughing dove
To one who clasped it with a father's love;
And if a painter's eye had sought a scene
    Of love in its most perfect loveliness—
    Of childhood, and of wedded happiness,—
He would have painted the sweet MADELINE!
But ROSALIE shrank from them, and she strayed
Through a small grove of cypresses, whose shade
Hung o'er a burying-ground, where the low stone
And the gray cross recorded those now gone!
There was a grave just closed. Not one seemed near,
To pay the tribute of one long—last tear!
How very desolate must that one be,
Whose more than grave has not a memory!

Then ROSALIE thought on her mother's age,—
    Just such her end would be with her away:
No child the last cold death-pang to assuage—
    No child by her neglected tomb to pray!
She asked—and like a hope from Heaven it came!—
To hear them answer with a stranger's name.

She reached her mother's cottage; by that gate
She thought how her once lover wont to wait
To tell her honied tales!—and then she thought
On all the utter ruin he had wrought!
The moon shone brightly, as it used to do
Ere youth, and hope, and love, had been untrue;
But it shone o'er the desolate! The flowers
Were dead; the faded jessamine, unbound,
Trailed, like a heavy weed, upon the ground;
And fell the moonlight vainly over trees,
Which had not even one rose,—although the breeze,
Almost as if in mockery, had brought
Sweet tones it from the nightingale had caught!

She entered in the cottage. None were there!
The hearth was dark,—the walls looked cold and bare!
All—all spoke poverty and suffering!
All—all was changed; and but one only thing
Kept its old place! ROSALIE's mandolin
Hung on the wall, where it had ever been.
There was one other room,—and ROSALIE
Sought for her mother there. A heavy flame
Gleamed from a dying lamp; a cold air came
Damp from the broken casement. There one lay,
Like marble seen but by the moonlight ray!
And ROSALIE drew near. One withered hand
Was stretched, as it would reach a wretched stand
Where some cold water stood! And by the bed
She knelt—and gazed—and saw her mother—dead!


Scheme AABBCDDCECFXGXXEHIJIBBKLKKMCMCNN FFFFFOOBFFXPGQHQCCJJAEAEEBEFF FFFFFEFEFRFRNFF IFIFF AFAASSEEEFTMEBBAUUXVXVCC FFAAPW QQMMFFLLYDYBDFDFFFAFAZCCZFF C1X1 EEBBFFCCFF CCFF2233JJ44EETT55 FF66FFFF77EECOXCYEFC77 AAFFQQEFFFTTXB CNTTM77 EETTDBFFCCJJEEXCEAEAFF88JHFFEEVVUBWJFFGHEECC 9N9E11 FFFFFEBFFQQFF EETTJJC11NEFFFF
Poetic Form
Metre 1011011101 111111111 110101010 1100100111010 11001011111 1111011101 1101001101 1111010111 11110101 1101110001 1101011 1100111011 1011011111 11111111 1111111101 0111001101 1111001101 1100011101 111010111 10001101101 1101001110 11110111010 0101010101 11001000111 1101001101 100111101 0111011101 011110100 1011010101 10011010100 1111010101 1101010001 1101010101 11010111010 1101010101 0101010111 1111010101 0101010111 0100110101 11110111 1101011101 1111011101 1011011101 1101010011 1011110101 11111100 1110111101 111110100 1111011111 1001111100 01111100101 010111010111 0101111101 101010111 1111101101 111100011 11011100101 1101111 01001010111 0101110101 11101101 1101110001 1101110101 011000111 110101011 11010101001 011111011 111010101 1111010101 1111100101 1101001101 11101101011 1011011101 0101010101 1011010101 010110101 011101111 0101111111 0100110111 11110001 0101101101 1101010001 11101101 10011010101 1011111111 11010010101 1101100101 1111111101 0011010111 1111010101 1111101111 0111010111 010101101 011101111 11110101110 01011001010 0101010101 1111011101 1111000101 0100110101 01001110011 1110110111 1110110101 1101000100 0101110010 1101010101 0111011101 1111001101 1111110101 0111111111 1111101100 01110011101 101100011 10001010111 1011011101 1101010001 11001011101 10111101001 0101111101 110101001 0111011101 0111111101 01110101001 0101110101 1111011101 1111010101 01011010101 0111010101 1101010111 110111010 1101011101 110010010001 1101011111 1101110111 0101010100 0101110101 1101110101 1111010101 1111011100 11110111 0111110011 0101111101 0100111111 0101011101 11110101010 0111010010 0101011101 010111011 11110010010 1101110100 0101011111 1010100010 1101001111 110110100 0111010101 0111010101 111111111 111101011 11110111 1111011111 01111010 110111101010 1110110011 010111001 1101111110 011101100 0111111101 1101111100 110111011 11111111001 1101010111 010111101 1111010001 011010101 11111011001 1011010101 1101011111 0101110101 1101110101 0111010101 01101011 01110011110 0101010111 1111110001 1100100110 0101011101 1010111101 1111001101 1111010101 1101111100 1111111111 0111111101 0111010101 1111010101 0101110111 0101010101 0101110101 0011010101 101110101 1111011111 0101010001 101101111 11011011010 0110111110 1101010101 01010111 1101011111 11010111 0101011101 0100111111 10110011 1100011101 0101110101 1111011101 1111010111 1111011111 0111011100 1100010101 010111101 1101110101 1111010101 1101011100 0111011100 0111011101 11011010111 11101010110 1101110111 11110101101 1111110011 1111000101 1111011111 1101010111 1111111001 11001111101 1111010101 1011010101 1011110111 1101110111 1111000111 1111010101 0111010111 0111111001 11010110111 1101110101 1111110101 0101011101 11011011 110110100 1111001100 1100111011 10111111 110010011011 0011010111 1101111111 1101011111 1101001111 1111110100 1100110101 1101111001 1101111101 1110010111 11010111011 1111010101 1101010111 1110110111 110110111 1101010111 0111011111 1101011101 111100100010 0101010001 1101010101 010110101 1111011101 111010011 1111010011 1100010101 0111011101 1111000100 1111011101 1111110 1101111101 1111010100 1101010101 1101010111 110101111 110111011 0100111101 1111110101 1111010101 1101010101
Closest metre Iambic pentameter
Characters 13,295
Words 2,502
Sentences 119
Stanzas 17
Stanza Lengths 32, 29, 15, 5, 24, 6, 27, 4, 10, 18, 22, 14, 7, 44, 6, 13, 15
Lines Amount 291
Letters per line (avg) 34
Words per line (avg) 8
Letters per stanza (avg) 588
Words per stanza (avg) 134

About this poem

From The Improvisatrice and Other Poems

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Written on 1824

Submitted by Madeleine Quinn on January 29, 2025

12:47 min read
5

Letitia Elizabeth Landon

 · 1802 · Chelsea

Letitia Elizabeth Landon was an English poet. Born 14th August 1802 at 25 Hans Place, Chelsea, she lived through the most productive period of her life nearby, at No.22. A precocious child with a natural gift for poetry, she was driven by the financial needs of her family to become a professional writer and thus a target for malicious gossip (although her three children by William Jerdan were successfully hidden from the public). In 1838, she married George Maclean, governor of Cape Coast Castle on the Gold Coast, whence she travelled, only to die a few months later (15th October) of a fatal heart condition. Behind her post-Romantic style of sentimentality lie preoccupations with art, decay and loss that give her poetry its characteristic intensity and in this vein she attempted to reinterpret some of the great male texts from a woman’s perspective. Her originality rapidly led to her being one of the most read authors of her day and her influence, commencing with Tennyson in England and Poe in America, was long-lasting. However, Victorian attitudes led to her poetry being misrepresented and she became excluded from the canon of English literature, where she belongs. more…

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    What is the term for the continuation of a sentence without a pause beyond the end of a line, couplet, or stanza.
    A Enjambment
    B A turn
    C Line break
    D Dithyramb