Analysis of Christopher Found



At last; so this is you, my dear!
How should I guess to find you here?
So long, so long, I sought in vain
In many cities, many lands,
With straining eyes and groping hands;
The people marvelled at my pain.
They said: "But sure, the woman's mad;
What ails her, we should like to know,
That she should be so wan and sad,
And silent through the revels go?"
They clacked with such a sorry stir!
Was I to tell? were they to know
That I had lost you, Christopher?
Will you forgive me for one thing?
Whiles, when a stranger came my way,
My heart would beat and I would say :
" Here's Christopher!" --then lingering
With longer gaze, would turn away
Cold, sick at heart. My dear, I know
You will forgive me for this thing.
It is so very long ago
Since I have seen your face--till now;
Now that I see it--lip and brow,
Eyes, nostril, chin, alive and clear;
Last time was long ago; I know
This thing you will forgive me, dear.

There is no Heaven--This is the best;
O hold me closer to your breast;
Let your face lean upon my face,
That there no longer shall be space
Between our lips, between our eyes.
I feel your bosom's fall and rise.
O hold me near and yet more near;
Ah sweet ; I wonder do you know
How lone and cold, how sad and drear,
Was I a little while ago;
Sick of the stress, the strife, the stir;
But I have found you, Christopher.

If only you had come before!
(This is the thing I most deplore)
A seemlier woman you had found,
More calm, by courtesies more bound,
Less quick to greet you, more subdued
Of appetite; of slower mood.
But ah! you come so late, so late!
This time of day I can't pretend
With slight, sweet things to satiate
The hunger-cravings. Nay, my friend,
I cannot blush and turn and tremble,
Wax loth as younger maidens do.
Ah, Christopher, with you, with you,
You would not wish me to dissemble?

So long have all the days been meagre,
With empty platter, empty cup,
No meats nor sweets to do me pleasure,
That if I crave--is it over-eager,
The deepest draught, the fullest measure,
The beaker to the brim poured up?

Shelley, that sprite from the spheres above,
Says, and would make the matter clear,
That love divided is larger love;--
We'll leave those things to the bards, my dear.
For you never wrote a verse, you see;
And I--my verse is not fair nor new.
Till the world be dead, you shall love but me,
Till the stars have ceased, I shall love but you.

Thus ran the words; or rather, thus did run
Their purport. Idly seeking in the chest
(You see it yonder), I had found them there:
Some blotted sheets of paper in a case,
With a woman's name writ on it: "Adelaide."
Twice on the writing there was scored the date
Of ten years back; and where the words had end
Was left a space, a dash, a half-writ word,
As tho' the writer minded, presently
The matter to pursue.
I questioned her,
That worthy, worthy soul, my châtelaine,
Who, nothing loth, made answer.
There had been
Another lodger ere I had the rooms,
Three months gone by--a woman.
"Young, sir ? No.
Must have seen forty if she'd seen a day!
A lonesome woman; hadn't many friends;
Wrote books, I think, and things for newspapers.
Short in her temper--eyes would flash and flame
At times, till I was frightened. Paid her rent
Most regular, like a lady.
Ten years back,
They say (at least Ann Brown says), ten years back
The lady had a lover. Even then
She must have been no chicken.
Three months since
She died. Well, well, the Lord is kind and just.
I did my best to tend her, yet indeed
It's bad for trade to have a lodger die.
Her brother came, a week before she died:
Buried her, took her things, threw in the fire
The littered heaps of paper.
Yes, the sheets,
They must have been forgotten in the chest;--
I never knew her name was Adelaide."


Scheme AXBCCBDEDEFEFGHHGHEGEIIAEA JJKKLLAEAEFF MMNNOOPQDQRSSR ATFFFT UAUAVSVS WJXKYPQXVSFBFWXWEHXXXXVZZXWXXXXXFFXJY
Poetic Form
Metre 11111111 11111111 11111101 01010101 11010101 0101111 11110101 11011111 11111101 01010101 11110101 11110111 11111100 11011111 11010111 11110111 11001100 11011101 11111111 11011111 11110101 11111111 11111101 11010101 11110111 11110111 111101101 11110111 11110111 11110111 0110101101 1111101 11110111 11110111 11011101 11010101 11010101 11111100 11011101 11011101 0110111 11110011 11111101 1101101 11111111 11111101 111111 01010111 110101010 11110101 11001111 111111010 11110111 11010101 111111110 1111111010 010101010 01010111 101110101 10110101 110101101 111110111 111010111 011111111 1011111111 1011111111 1101110111 111010001 1111011111 1101110001 1010111110 1101011101 1111010111 1101010111 1101010100 010101 1100 110101111 1101110 111 010111101 1111010 111 1111011101 0101010101 111101110 1001011101 1111110101 11001010 111 1111111111 0101010101 1111110 111 1111011101 1111110101 111111011 0101010111 10010110010 0101110 101 1111010001 110101110
Closest metre Iambic tetrameter
Characters 3,657
Words 724
Sentences 51
Stanzas 6
Stanza Lengths 26, 12, 14, 6, 8, 37
Lines Amount 103
Letters per line (avg) 27
Words per line (avg) 7
Letters per stanza (avg) 469
Words per stanza (avg) 119
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Submitted on May 13, 2011

Modified on March 05, 2023

3:38 min read
87

Amy Levy

 · 1861 · London

Amy Levy was a British essayist, poet, and novelist best remembered for her feminist positions and her homosexual romances during the Victorian era. more…

All Amy Levy poems | Amy Levy Books

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