Glencoe



Lay by the harp, sing not that song,
    Though very sweet it be;
It is a song of other years,
    Unfit for thee and me.

Thy head is pillowed on my arm,
    Thy heart beats close to mine;
Methinks it were unjust to heaven,
    If we should now repine.

I must not weep, you must not sing
    That thrilling song again,—
I dare not think upon the time
    When last I heard that strain.

It was a silent summer eve:
    We stood by the hill side,
And we could see my ship afar
    Breasting the ocean tide.

Around us grew the graceful larch,
    A calm blue sky above,
Beneath were little cottages,
    The homes of peace and love.

Thy harp was by thee then, as now,
    One hand in mine was laid;
The other, wandering 'mid the chords,
    A soothing music made;

Just two or three sweet chords, that seemed
    An echo of thy tone,—
The cushat's song was on the wind
    And mingled with thine own.

I looked upon the vale beneath,
    I looked on thy sweet face,
I thought how dear, this voyage o'er,
    Would be my resting place.

We parted; but I kept thy kiss,—
    Thy last one,—and its sigh—
As safely as the stars are kept
    In yonder azure sky.

Again I stood by that hill side,
    And scarce I knew the place,
For fire, and blood, and death, had left
    On every thing their trace.

The lake was covered o'er with weeds,
    Choked was our little rill,
There was no sign of corn or grass,
    The cushat's song was still:

Burnt to the dust, an ashy heap
    Was every cottage round;—
I listened, but I could not hear
    One single human sound;

I spoke, and only my own words
    Were echoed from the hill;
I sat me down to weep, and curse
    The hand that wrought this ill.

We met again by miracle:
    Thou wert another one
Saved from this work of sin and death,—
    I was not quite alone.

And then I heard the evil tale
    Of guilt and suffering,
Till I prayed the curse of God might fall
    On the false-hearted king.

I will not think on this,—for thou
    Art saved, and saved for me!
And gallantly my little bark
    Cuts through the moonlight sea.

There's not a shadow in the sky,
    The waves are bright below;
I must not, on so sweet a night,
    Think upon dark Glencoe.

If thought were vengeance, then its thought
    A ceaseless fire should be,
Burning by day, burning by night,
    Kept like a thought of thee.

But I am powerless and must flee;—
    That e'er a time should come,
When we should shun our own sweet land,
    And seek another home!

This must not be,—yon soft moonlight
    Falls on my heart like balm;
The waves are still, the air is hushed,
    And I too will be calm.

Away! we seek another land
    Of hope, stars, flowers, sunshine;
I shall forget the dark green hills
    Of that which once was mine!

About this poem

From The Literary Gazette, 1823

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Written on 1823

Submitted by Madeleine Quinn on January 17, 2025

Modified by Madeleine Quinn on January 17, 2025

2:58 min read
3

Quick analysis:

Scheme ABXB XCDC EFXF XGXG XHXH IJXJ XKXK XLXL XMXM GLXL XNXN XOXO XNXN XDXK XEXE IBXB MXPA XBPB BXQX PRXR QCXC
Closest metre Iambic tetrameter
Characters 2,785
Words 589
Stanzas 21
Stanza Lengths 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4

Letitia Elizabeth Landon

 · 1802 · Chelsea

Letitia Elizabeth Landon was an English poet. Born 14th August 1802 at 25 Hans Place, Chelsea, she lived through the most productive period of her life nearby, at No.22. A precocious child with a natural gift for poetry, she was driven by the financial needs of her family to become a professional writer and thus a target for malicious gossip (although her three children by William Jerdan were successfully hidden from the public). In 1838, she married George Maclean, governor of Cape Coast Castle on the Gold Coast, whence she travelled, only to die a few months later (15th October) of a fatal heart condition. Behind her post-Romantic style of sentimentality lie preoccupations with art, decay and loss that give her poetry its characteristic intensity and in this vein she attempted to reinterpret some of the great male texts from a woman’s perspective. Her originality rapidly led to her being one of the most read authors of her day and her influence, commencing with Tennyson in England and Poe in America, was long-lasting. However, Victorian attitudes led to her poetry being misrepresented and she became excluded from the canon of English literature, where she belongs. more…

All Letitia Elizabeth Landon poems | Letitia Elizabeth Landon Books

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