Vandyke consulting his Mistress on a Picture in Cooke's Exhibition



Beautiful Art! my worship is for thee—
The heart's entire devotion. When I look
Upon thy radiant wonders, every pulse
Is thrill'd as in the presence of divinity.
Pictures, bright pictures, oh! they are to me
A world for thought to revel in. I love
To give a history to every face, to think—
As I thought with the painter—as I knew
What his high communing had been.



Yes, he is seeking in those eyes
His light, his fame, his own heart prize!
How vain to that idolater
Is this world's praise, if wanting her
Sweet seal, a smile. His lofty brow
Has almost woman's softness now;
And that dark cheek, and darker eye
Where lightning-gleams of genius lie,
And that so haughty lip's proud curl,
Are mild before that fair young girl,
As if that delicate slight hand
Had magic like a fairy wand,
As if those deep blue eyes had power
Like sunshine in a stormy hour.
    It was an almost childish face,
Yet in its first soft spring of grace—
A rosebud, ere the sun has set
Which saw it bloom; a violet,
Or ere the tears of morning melt—
The first dew-fall it ever felt.
Yet was it pale, as with excess
Of overmuch fond tenderness.
Her mouth—a very mine of bliss,
A blossom fresh from the bee's kiss,—
Was near to his, as if to steal
But one breath from him was to feel
The air of paradise;—her arm
Was round his neck;—and oh the charm
Of the delicious drooping lid
Which half her soft eye's lustre hid!
Ah, Woman has no look so sweet
As that, when, half afraid to meet
The look she loves, blushes betray
All the suppressed glance would say.
'Tis a sweet picture! But what shade
Would not be lovely, which pourtrayed
Genius and love, the union bright
Of meteor-flash and soft moonlight?

About this poem

In Poetical Catalogue of Pictures From The Literary Gazette, 1823

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Written on 1823

Submitted by Madeleine Quinn on March 05, 2025

Modified by Madeleine Quinn on March 05, 2025

1:51 min read
2

Quick analysis:

Scheme AXXAAXXXB CCDDDXBBEEFXDDGGXXHHXXIIJJKKLLMMDXXFNN
Closest metre Iambic tetrameter
Characters 1,743
Words 363
Stanzas 2
Stanza Lengths 9, 38

Letitia Elizabeth Landon

 · 1802 · Chelsea

Letitia Elizabeth Landon was an English poet. Born 14th August 1802 at 25 Hans Place, Chelsea, she lived through the most productive period of her life nearby, at No.22. A precocious child with a natural gift for poetry, she was driven by the financial needs of her family to become a professional writer and thus a target for malicious gossip (although her three children by William Jerdan were successfully hidden from the public). In 1838, she married George Maclean, governor of Cape Coast Castle on the Gold Coast, whence she travelled, only to die a few months later (15th October) of a fatal heart condition. Behind her post-Romantic style of sentimentality lie preoccupations with art, decay and loss that give her poetry its characteristic intensity and in this vein she attempted to reinterpret some of the great male texts from a woman’s perspective. Her originality rapidly led to her being one of the most read authors of her day and her influence, commencing with Tennyson in England and Poe in America, was long-lasting. However, Victorian attitudes led to her poetry being misrepresented and she became excluded from the canon of English literature, where she belongs. more…

All Letitia Elizabeth Landon poems | Letitia Elizabeth Landon Books

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