Analysis of Madeline



I pray thee leave me not; my heart
    So passionately clings to thee;
Oh, give me time, I'll try to part
    With life—for love is life to me.
A little while—I cannot bear
The presence of my great despair;
Though changed your voice, and cold your eye,
You would not wish to see me die.

The wretch who on the scaffold stands
    Has some brief time allow'd
For parting grasp of kindly hands,
    For farewell to the crowd:
And even as gradual let me learn
My thoughts and hopes from thee to turn;
To grow accustom'd to thy brow,
Strange, chilling as it meets me now!

But, no; I dare not, cannot look
    Upon thy alter'd face:
Methinks that I could better brook
    To have but memory's trace,
And I may cheat myself awhile
With many a treasured gaze and smile.
Yes, leave me—'tis less pain to brood
Over the past in solitude.

Oh, vanity of speech! no word
    Can make thee mine again;
The eloquent would be unheard,
    The tender would be vain.
Since gentle cares and spotless truth—
The deep devotion of my youth—
Since these are written on the air,
Wilt thou be moved by vow or prayer?

Yet how entire has been my love!
    The flower that to the sun
Raises its golden eyes above,
    Droops when the day is done:
But I for hours have watch'd a spot—
Although it longer held thee not;
It gave a magic to the scene
To think that there thy steps had been.

But I must now forget the past—
    Say, rather, 'tis my all;
Henceforth a veil o'er life is cast—
    I live but to recall.
I have no future—could I bear
To dream a dream you do not share?
It is hope makes futurity—
What, now, has hope to do with me?

Amid the ruins of my heart
    I'll sit and weep alone;
Mourn for the idols that depart,
    The altars overthrown,
With faded cheek and weary eyes,
Till life be thy last sacrifice.
Alas for youth, and hope, and bloom!
Alas for my forgotten tomb!


Scheme ABABCCDD EFEFGGHH IJIJKKLL MNMNOOCC PQPQRRXQ STSTCCAB AUAUXXVV
Poetic Form
Metre 11111111 11000111 11111111 11111111 01011101 01011101 11110111 11111111 01110101 111101 11011101 11101 0101100111 11011111 11010111 11011111 11111101 011101 1111101 11111 0111101 110010101 11111111 1001010 11001111 111101 01001101 010111 11010101 01010111 11110101 11111111 110101111 0101101 10110101 110111 111101101 1110111 11010101 11111111 11110101 110111 110110111 11111 11110111 11011111 11111 11111111 01010111 110101 11010101 01001 11010101 1111110 01110101 01110101
Closest metre Iambic tetrameter
Characters 1,882
Words 389
Sentences 16
Stanzas 7
Stanza Lengths 8, 8, 8, 8, 8, 8, 8
Lines Amount 56
Letters per line (avg) 25
Words per line (avg) 6
Letters per stanza (avg) 197
Words per stanza (avg) 50

About this poem

From Heath's Book of Beauty, 1833

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Written on 1832

Submitted by Madeleine Quinn on January 24, 2025

1:59 min read
1

Letitia Elizabeth Landon

 · 1802 · Chelsea

Letitia Elizabeth Landon was an English poet. Born 14th August 1802 at 25 Hans Place, Chelsea, she lived through the most productive period of her life nearby, at No.22. A precocious child with a natural gift for poetry, she was driven by the financial needs of her family to become a professional writer and thus a target for malicious gossip (although her three children by William Jerdan were successfully hidden from the public). In 1838, she married George Maclean, governor of Cape Coast Castle on the Gold Coast, whence she travelled, only to die a few months later (15th October) of a fatal heart condition. Behind her post-Romantic style of sentimentality lie preoccupations with art, decay and loss that give her poetry its characteristic intensity and in this vein she attempted to reinterpret some of the great male texts from a woman’s perspective. Her originality rapidly led to her being one of the most read authors of her day and her influence, commencing with Tennyson in England and Poe in America, was long-lasting. However, Victorian attitudes led to her poetry being misrepresented and she became excluded from the canon of English literature, where she belongs. more…

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