Analysis of The Strayed Reveller



Faster, faster,
O Circe, Goddess,
Let the wild, thronging train
The bright procession
Of eddying forms,
Sweep through my soul!
Thou standest, smiling
Down on me! thy right arm,
Lean'd up against the column there,
Props thy soft cheek;
Thy left holds, hanging loosely,
The deep cup, ivy-cinctured,
I held but now.
Is it, then, evening
So soon? I see, the night-dews,
Cluster'd in thick beads, dim
The agate brooch-stones
On thy white shoulder;
The cool night-wind, too,
Blows through the portico,
Stirs thy hair, Goddess,
Waves thy white robe!

Whence art thou, sleeper?

When the white dawn first
Through the rough fir-planks
Of my hut, by the chestnuts,
Up at the valley-head,
Came breaking, Goddess!
I sprang up, I threw round me
My dappled fawn-skin;
Passing out, from the wet turf,
Where they lay, by the hut door,
I snatch'd up my vine-crown, my fir-staff,
All drench'd in dew-
Came swift down to join
The rout early gather'd
In the town, round the temple,
Iacchus' white fane
On yonder hill.
Quick I pass'd, following
The wood-cutters' cart-track
Down the dark valley;-I saw
On my left, through the beeches,
Thy palace, Goddess,
Smokeless, empty!
Trembling, I enter'd; beheld
The court all silent,
The lions sleeping,
On the altar this bowl.
I drank, Goddess!
And sank down here, sleeping,
On the steps of thy portico.

Foolish boy! Why tremblest thou?
Thou lovest it, then, my wine?
Wouldst more of it? See, how glows,
Through the delicate, flush'd marble,
The red, creaming liquor,
Strown with dark seeds!
Drink, thee! I chide thee not,
Deny thee not my bowl.
Come, stretch forth thy hand, thee-so!
Drink-drink again!

Thanks, gracious one!
Ah, the sweet fumes again!
More soft, ah me,
More subtle-winding
Than Pan's flute-music!
Faint-faint! Ah me,
Again the sweet sleep!

Hist! Thou-within there!
Come forth, Ulysses!
Art tired with hunting?
While we range the woodland,
See what the day brings.

Ever new magic!
Hast thou then lured hither,
Wonderful Goddess, by thy art,
The young, languid-eyed Ampelus,
Iacchus' darling-
Or some youth beloved of Pan,
Of Pan and the Nymphs?
That he sits, bending downward
His white, delicate neck
To the ivy-wreathed marge
Of thy cup; the bright, glancing vine-leaves
That crown his hair,
Falling forward, mingling
With the dark ivy-plants--
His fawn-skin, half untied,
Smear'd with red wine-stains? Who is he,
That he sits, overweigh'd
By fumes of wine and sleep,
So late, in thy portico?
What youth, Goddess,-what guest
Of Gods or mortals?

Hist! he wakes!
I lured him not hither, Ulysses.
Nay, ask him!

Who speaks' Ah, who comes forth
To thy side, Goddess, from within?
How shall I name him?
This spare, dark-featured,
Quick-eyed stranger?
Ah, and I see too
His sailor's bonnet,
His short coat, travel-tarnish'd,
With one arm bare!--
Art thou not he, whom fame
This long time rumours
The favour'd guest of Circe, brought by the waves?
Art thou he, stranger?
The wise Ulysses,
Laertes' son?

I am Ulysses.
And thou, too, sleeper?
Thy voice is sweet.
It may be thou hast follow'd
Through the islands some divine bard,
By age taught many things,
Age and the Muses;
And heard him delighting
The chiefs and people
In the banquet, and learn'd his songs.
Of Gods and Heroes,
Of war and arts,
And peopled cities,
Inland, or built
By the gray sea.-If so, then hail!
I honour and welcome thee.

The Gods are happy.
They turn on all sides
Their shining eyes,
And see below them
The earth and men.
They see Tiresias
Sitting, staff in hand,
On the warm, grassy
Asopus bank,
His robe drawn over
His old sightless head,
Revolving inly
The doom of Thebes.
They see the Centaurs
In the upper glens
Of Pelion, in the streams,
Where red-berried ashes fringe
The clear-brown shallow pools,
With streaming flanks, and heads
Rear'd proudly, snuffing
The mountain wind.
They see the Indian
Drifting, knife in hand,
His frail boat moor'd to
A floating isle thick-matted
Wit


Scheme ABCDXEFXGXHIJFXKXAILBX A IXXIBHMXXXIXINCXFXXBBHIIFEBFL JXONAXIELC DCHFPHQ GRFIS PAIBFXXIXXXGFXIHIQLIX XRK XMKIAIIIGXXXARD RAIIISXFNXOXRIXH HXXXXBIHXAIEXXXXXXXFIDIIII
Poetic Form
Metre 1010 1110 10111 01010 111 1111 1110 111111 11010101 1111 1111010 011101 1111 11110 1111011 100111 01011 11110 01111 11010 11110 1111 11110 10111 10111 1111010 110101 11010 1111111 1111 1011011 1111011 111111111 1101 11111 011010 0011010 111 1101 111100 011011 1011011 111101 11010 1010 1001101 01110 01010 101011 1110 011110 1011110 101111 111111 1111111 10100110 01110 1111 111111 011111 1111111 1101 1101 101101 1111 11010 11110 1111 01011 11011 11010 110110 11101 11011 10110 111110 10010111 011011 110 1110111 11001 1111010 111001 101011 111011011 1111 1010100 101101 111101 11111111 1111 111101 110110 111011 11110 111 111110010 111 111111 11110101 11111 11110 1110 10111 11010 1111010 1111 111111 1110 011111101 11110 01010 11 11010 01110 1111 1111110 10101011 111101 10010 011010 01010 00100111 11010 1101 01010 111 10111111 110101 01110 11111 1101 01011 0101 111 10101 10110 11 11110 1111 0101 0111 1101 00101 11001 111101 011101 110101 11010 0101 110100 10101 11111 010111 1
Closest metre Iambic trimeter
Characters 3,824
Words 681
Sentences 69
Stanzas 11
Stanza Lengths 22, 1, 29, 10, 7, 5, 21, 3, 15, 16, 26
Lines Amount 155
Letters per line (avg) 19
Words per line (avg) 4
Letters per stanza (avg) 271
Words per stanza (avg) 60
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Submitted on May 13, 2011

Modified on March 05, 2023

3:29 min read
107

Matthew Arnold

 · 1822 · Laleham
 · 1888 · Liverpool

Matthew Arnold was a British poet and cultural critic who worked as an inspector of schools. more…

All Matthew Arnold poems | Matthew Arnold Books

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