Analysis of Bishop Blougram's Apology



NO more wine? then we'll push back chairs and talk.
A final glass for me, though: cool, i' faith!
We ought to have our Abbey back, you see.
It's different, preaching in basilicas,
And doing duty in some masterpiece
Like this of brother Pugin's, bless his heart!
I doubt if they're half baked, those chalk rosettes,
Ciphers and stucco-twiddlings everywhere;
It's just like breathing in a lime-kiln: eh?
These hot long ceremonies of our church
Cost us a little--oh, they pay the price,
You take me--amply pay it! Now, we'll talk.

So, you despise me, Mr. Gigadibs.
No deprecation,--nay, I beg you, sir!
Beside 't is our engagement: don't you know,
I promised, if you'd watch a dinner out,
We'd see truth dawn together?--truth that peeps
Over the glasses' edge when dinner's done,

And body gets its sop and holds its noise
And leaves soul free a little. Now's the time:
'T is break of day! You do despise me then.
And if I say, "despise me,"--never fear!
I know you do not in a certain sense--
Not in my arm-chair, for example: here,
I well imagine you respect my place
( Status, entourage , worldly circumstance)
Quite to its value--very much indeed:
--Are up to the protesting eyes of you
In pride at being seated here for once--
You'll turn it to such capital account!
When somebody, through years and years to come,
Hints of the bishop,--names me--that's enough:
"Blougram? I knew him"--(into it you slide)
"Dined with him once, a Corpus Christi Day,
"All alone, we two; he's a clever man:
"And after dinner,--why, the wine you know,--
"Oh, there was wine, and good!--what with the wine . .
"'Faith, we began upon all sorts of talk!
"He's no bad fellow, Blougram; he had seen
"Something of mine he relished, some review:
"He's quite above their humbug in his heart,
"Half-said as much, indeed--the thing's his trade.
"I warrant, Blougram's sceptical at times:
"How otherwise? I liked him, I confess!"

Che che , my dear sir, as we say at Rome,
Don't you protest now! It's fair give and take;
You have had your turn and spoken your home-truths:
The hand's mine now, and here you follow suit.

Thus much conceded, still the first fact stays--
You do despise me; your ideal of life
Is not the bishop's: you would not be I.
You would like better to be Goethe, now,
Or Buonaparte, or, bless me, lower still,
Count D'Orsay,--so you did what you preferred,
Spoke as you thought, and, as you cannot help,
Believed or disbelieved, no matter what,
So long as on that point, whate'er it was,
You loosed your mind, were whole and sole yourself.
--That, my ideal never can include,
Upon that element of truth and worth
Never be based! for say they make me Pope--
(They can't--suppose it for our argument!)
Why, there I'm at my tether's end, I've reached
My height, and not a height which pleases you:
An unbelieving Pope won't do, you say.
It's like those eerie stories nurses tell,
Of how some actor on a stage played Death,
With pasteboard crown, sham orb and tinselled dart,
And called himself the monarch of the world;

Then, going in the tire-room afterward,
Because the play was done, to shift himself,
Got touched upon the sleeve familiarly,
The moment he had shut the closet door,
By Death himself. Thus God might touch a Pope
At unawares, ask what his baubles mean,
And whose part he presumed to play just now?
Best be yourself, imperial, plain and true!

So, drawing comfortable breath again,
You weigh and find, whatever more or less
I boast of my ideal realized,
Is nothing in the balance when opposed
To your ideal, your grand simple life,
Of which you will not realize one jot.
I am much, you are nothing; you would be all,
I would be merely much: you beat me there.

No, friend, you do not beat me: hearken why!
The common problem, yours, mine, every one's,
Is--not to fancy what were fair in life
Provided it could be,--but, finding first
What may be, then find how to make it fair
Up to our means: a very different thing!
No abstract intellectual plan of life
Quite irrespective of life's plainest laws,

But one, a man, who is man and nothing more,
May lead within a world which (by your leave)


Scheme AXBBXCXDXXXA BXEXXX XXFXXXXXXGXXXXXHXEXAIGCXXJ XXXX XKLMNOXXPQXXRXXGHXXCX OQNSRIMG FJXXKXXD LXKXDXKP SX
Poetic Form
Metre 1111111101 0101111111 11111010111 11001001 010100110 111101111 1111111111 1010110 1111000111 1111001101 1101011101 1111011111 11011101 1111111 011110010111 1101110101 1111010111 100101111 0101110111 0111010101 11111110111 0111011101 1111100101 1011110101 1101010111 10011010 1111010101 1110010111 0111010111 1111110001 110110111 1101011101 111101111 1111010101 1011110101 0101010111 1111011101 1101011111 111101111 101111011 110111011 1111010111 1101111 110111101 1111111111 111111101 11111010111 0111011101 1101010111 1101110111 1101011111 111101111 11111101 111111101 1111011101 01111101 1111111011 1111010101 110110101 0111001101 1011111111 11011110100 111111111 1101011101 101011111 1111010101 1111010111 11111011 010101101 11000101100 0101111101 1101011 0101110101 1101111101 101111101 0111011111 11010100101 1101000101 110110111 11110110 1100010101 110111101 111111011 11111101111 1111011111 111111111 01010111001 1111010101 0101111101 1111111111 111010101001 1010100111 100101111 11011110101 1101011111
Closest metre Iambic pentameter
Characters 4,274
Words 741
Sentences 40
Stanzas 9
Stanza Lengths 12, 6, 26, 4, 21, 8, 8, 8, 2
Lines Amount 95
Letters per line (avg) 32
Words per line (avg) 8
Letters per stanza (avg) 342
Words per stanza (avg) 82
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Submitted on May 13, 2011

Modified on April 19, 2023

3:52 min read
240

Robert Browning

 · 1812 · Camberwell
 · 1889 · Venice

Robert Browning was the father of poet Robert Browning. more…

All Robert Browning poems | Robert Browning Books

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