Analysis of Ellen McJones Aberdeen



MACPHAIRSON CLONGLOCKETTY ANGUS McCLAN
Was the son of an elderly labouring man;
You've guessed him a Scotchman, shrewd reader, at sight,
And p'r'aps altogether, shrewd reader, you're right.

From the bonnie blue Forth to the lovely Deeside,
Round by Dingwall and Wrath to the mouth of the Clyde,
There wasn't a child or a woman or man
Who could pipe with CLONGLOCKETTY ANGUS McCLAN.

No other could wake such detestable groans,
With reed and with chaunter - with bag and with drones:
All day and ill night he delighted the chiels
With sniggering pibrochs and jiggety reels.

He'd clamber a mountain and squat on the ground,
And the neighbouring maidens would gather around
To list to the pipes and to gaze in his een,
Especially ELLEN McJONES ABERDEEN.

All loved their McCLAN, save a Sassenach brute,
Who came to the Highlands to fish and to shoot;
He dressed himself up in a Highlander way,
Tho' his name it was PATTISON CORBY TORBAY.

TORBAY had incurred a good deal of expense
To make him a Scotchman in every sense;
But this is a matter, you'll readily own,
That isn't a question of tailors alone.

A Sassenach chief may be bonily built,
He may purchase a sporran, a bonnet, and kilt;
Stick a skein in his hose - wear an acre of stripes -
But he cannot assume an affection for pipes.

CLONGLOCKETY'S pipings all night and all day
Quite frenzied poor PATTISON CORBY TORBAY;
The girls were amused at his singular spleen,
Especially ELLEN McJONES ABERDEEN,

"MACPHAIRSON CLONGLOCKETTY ANGUS, my lad,
With pibrochs and reels you are driving me mad.
If you really must play on that cursed affair,
My goodness! play something resembling an air."

Boiled over the blood of MACPHAIRSON McCLAN -
The Clan of Clonglocketty rose as one man;
For all were enraged at the insult, I ween -
Especially ELLEN McJONES ABERDEEN.

"Let's show," said McCLAN, "to this Sassenach loon
That the bagpipes CAN play him a regular tune.
Let's see," said McCLAN, as he thoughtfully sat,
"'IN MY COTTAGE' is easy - I'll practise at that."

He blew at his "Cottage," and blew with a will,
For a year, seven months, and a fortnight, until
(You'll hardly believe it) McCLAN, I declare,
Elicited something resembling an air.

It was wild - it was fitful - as wild as the breeze -
It wandered about into several keys;
It was jerky, spasmodic, and harsh, I'm aware;
But still it distinctly suggested an air.

The Sassenach screamed, and the Sassenach danced;
He shrieked in his agony - bellowed and pranced;
And the maidens who gathered rejoiced at the scene -
Especially ELLEN McJONES ABERDEEN.

"Hech gather, hech gather, hech gather around;
And fill a' ye lugs wi' the exquisite sound.
An air fra' the bagpipes - beat that if ye can!
Hurrah for CLONGLOCKETTY ANGUS McCLAN!"

The fame of his piping spread over the land:
Respectable widows proposed for his hand,
And maidens came flocking to sit on the green -
Especially ELLEN McJONES ABERDEEN.

One morning the fidgety Sassenach swore
He'd stand it no longer - he drew his claymore,
And (this was, I think, in extremely bad taste)
Divided CLONGLOCKETTY close to the waist.

Oh! loud were the wailings for ANGUS McCLAN,
Oh! deep was the grief for that excellent man;
The maids stood aghast at the horrible scene -
Especially ELLEN McJONES ABERDEEN.

It sorrowed poor PATTISON CORBY TORBAY
To find them "take on" in this serious way;
He pitied the poor little fluttering birds,
And solaced their souls with the following words:

"Oh, maidens," said PATTISON, touching his hat,
"Don't blubber, my dears, for a fellow like that;
Observe, I'm a very superior man,
A much better fellow than ANGUS McCLAN."

They smiled when he winked and addressed them as "dears,"
And they all of them vowed, as they dried up their tears,
A pleasanter gentleman never was seen -
Especially ELLEN McJONES ABERDEEN.


Scheme aabb bxaa cccx ddaA eefg hhaa iijj fgaA kkll aaaA aamm nnll ooll xbaA ddaa ppaA qqrr aaaA gfss mmaa cxaA
Poetic Form
Metre 11101 1011110011 1110111011 0101011011 10101110101 111001101101 11001101011 11111101 11011111 1101111011 11011101001 111011 11001001101 0011011001 11101011011 01010110 11111011 11101011011 1101100101 11111100101 1101011101 1110101001 11101011001 11001011001 0111111 11100101001 101011111011 111001101011 1111011 1101100101 01001111001 01010110 111011 1101111011 11101111101 110110010011 11001111 01111111 11001100111 01010110 11111111 10111101001 1111111001 01101101111 11111001101 10110100101 1100111101 010010010011 111111011101 1100101101 111001001101 11101001011 0110011 11011001001 001011001101 01010110 11011011001 01011101001 1110111111 0111101 01111011001 01001001111 01011011101 01010110 1100111 1111101111 01111001011 01011101 110011101 11101111001 01101101001 01010110 111100101 11111011001 1101101001 0111101001 11011001011 11011101011 01101001001 0110101101 11111001111 011111111111 011001011 01010110
Closest metre Iambic hexameter
Characters 3,719
Words 671
Sentences 27
Stanzas 21
Stanza Lengths 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4
Lines Amount 84
Letters per line (avg) 35
Words per line (avg) 8
Letters per stanza (avg) 141
Words per stanza (avg) 31
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Submitted on May 13, 2011

Modified on March 05, 2023

3:23 min read
51

William Schwenck Gilbert

Sir William Schwenck Gilbert was an English dramatist librettist poet and illustrator best known for his fourteen comic operas produced in collaboration with the composer Sir Arthur Sullivan of which the most famous include HMS Pinafore The Pirates of Penzance and one of the most frequently performed works in the history of musical theatre The Mikado These as well as most of their other Savoy operas continue to be performed regularly throughout the English-speaking world and beyond by opera companies repertory companies schools and community theatre groups Lines from these works have become part of the English language such as short sharp shock What never Well hardly ever and Let the punishment fit the crime Gilbert also wrote the Bab Ballads an extensive collection of light verse accompanied by his own comical drawings His creative output included over 75 plays and libretti numerous stories poems lyrics and various other comic and serious pieces His plays and realistic style of stage direction inspired other dramatists including Oscar Wilde and George Bernard Shaw According to The Cambridge History of English and American Literature Gilberts lyrical facility and his mastery of metre raised the poetical quality of comic opera to a position that it had never reached before and has not reached since Source - Wikipedia more…

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