Voyages V



Meticulous, past midnight in clear rime,
Infrangible and lonely, smooth as though cast
Together in one merciless white blade-
The bay estuaries fleck the hard sky limits.

-As if too brittle or too clear to touch!
The cables of our sleep so swiftly filed,
Already hang, shred ends from remembered stars.
One frozen trackless smile . . . What words
Can strangle this deaf moonlight? For we

Are overtaken. Now no cry, no sword
Can fasten or deflect this tidal wedge,
Slow tyranny of moonlight, moonlight loved
And changed . 'There's

Nothing like this in the world,' you say,
is Knowing I cannot touch your hand and look
Too, into that godless cleft of sky
Where nothing turns but dead sands flashing.

'-And never to quite understand!' No,
In all the argosy of your bright hair I dreamed
Nothing so flagless as this piracy.

But now
Draw in your head, alone and too tall here.
Your eyes already in the slant of drifting foam;
Your breath sealed by the ghosts I do not know:
Draw in your head and sleep the long way home.

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Submitted on May 13, 2011

Modified on March 05, 2023

54 sec read
108

Quick analysis:

Scheme AXXX XXXXB XXXX XXXX CXB XXACA
Closest metre Iambic pentameter
Characters 1,023
Words 184
Stanzas 6
Stanza Lengths 4, 5, 4, 4, 3, 5

Harold Hart Crane

Harold Hart Crane was an American poet. Finding both inspiration and provocation in the poetry of T. S. Eliot, Crane wrote modernist poetry that was difficult, highly stylized, and ambitious in its scope. In his most ambitious work, The Bridge, Crane sought to write an epic poem, in the vein of The Waste Land, that expressed a more optimistic view of modern, urban culture than the one that he found in Eliot's work. In the years following his suicide at the age of 32, Crane has been hailed by playwrights, poets, and literary critics alike (including Robert Lowell, Derek Walcott, Tennessee Williams, and Harold Bloom), as being one of the most influential poets of his generation.  more…

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