The Laurel



'Fling down the Laurel from her golden hair;
A woman's brow:—what doth the laurel there?'


Not to the silent bitterness of tears
    Do I commit, oh, false one! thy requiting;
My measured moments shall be paid by years
    Of long avenging on thy faithless slighting.

I call upon the boon that nature gave,
    Ere my young spirit knew its own possessing;
And, from the fire that has consumed me, crave
    The cold, stern power that knows its own redressing.

Love was my element: e'en as the bird
    Knows the soft air that swells around its pinion,
Sweet thoughts and eager ones my spirit stirred,
    Whose only influence was the heart's dominion.

They were but shadows of a deeper power,
    For life is ominous, itself revealing
By the faint likeness of the coming hour,
    Felt ere it vivify to actual feeling.

But from that fated hour is no return;
    Life has grown actual—we have done with dreaming;
It is a bitter truth at last to learn
    That all we once believed was only seeming.

Thou who hast taught me this! upon thy head
    Be all the evils thou hast round thee scattered;
Through thee the light that led me on is dead—
    My wreath is in the dust—my lute is shattered.

I could forgive each miserable night
    When I have waked, for that I dreaded sleeping;
I knew that I should dream—my fevered sight
    Would bring the image I afar was keeping.

Alas, the weary hours! when I have asked
    The faint cold stars, amid the darkness shining.
Why is mortality so overtasked?—
    Why am I grown familiar with repining?—

Then comes the weary day, that would but1 bring
    Impatient wishes that it were to-morrow;
While every new and every usual thing,
    Seemed but to irritate the hidden sorrow.

And this I owe to thee, to whom I brought
    A love that was half fondness, half devotion;
Alas, the glorious triumphs of high thought
    Are now subdued by passionate emotion.

Upon my silent lute there is no song;
    I sit and grieve above my power departed;
To others let the laurel-wreath belong;
    I only know that I am broken-hearted.

Enough yet lingers of the broken spell
    To show that once it was a thing enchanted;
I leave my spirit to the low sweet shell
    By whose far music shall thy soul be haunted.

A thousand songs of mine are on the air,
    And they shall breathe my memory, and mine only,
Startling thy soul with hopes no longer fair,
    And love that will but rise to leave thee lonely.

Immortal is the gift that I inherit:—
    Eternal is the loveliness of verse;
My heart thou may'st destroy, but not my spirit,
    And that shall linger round thee like a curse.

Farewell the lute, that I no more shall waken!
    Its music will be murmured after me;
Farewell the laurel that I have forsaken!
    And, last, farewell, oh, my false love, to thee!⁠

About this poem

From Flowers of Loveliness, 1838

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Written on 1837

Submitted by Madeleine Quinn on February 15, 2025

2:47 min read
4

Quick analysis:

Scheme AX BCBC DCDC EFEF GCGC HCHC IEIE JCJC XCEC CKCK LFLF CMCM NMNM AOAO PQPQ FOFO
Closest metre Iambic pentameter
Characters 2,838
Words 553
Stanzas 16
Stanza Lengths 2, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4

Letitia Elizabeth Landon

 · 1802 · Chelsea

Letitia Elizabeth Landon was an English poet. Born 14th August 1802 at 25 Hans Place, Chelsea, she lived through the most productive period of her life nearby, at No.22. A precocious child with a natural gift for poetry, she was driven by the financial needs of her family to become a professional writer and thus a target for malicious gossip (although her three children by William Jerdan were successfully hidden from the public). In 1838, she married George Maclean, governor of Cape Coast Castle on the Gold Coast, whence she travelled, only to die a few months later (15th October) of a fatal heart condition. Behind her post-Romantic style of sentimentality lie preoccupations with art, decay and loss that give her poetry its characteristic intensity and in this vein she attempted to reinterpret some of the great male texts from a woman’s perspective. Her originality rapidly led to her being one of the most read authors of her day and her influence, commencing with Tennyson in England and Poe in America, was long-lasting. However, Victorian attitudes led to her poetry being misrepresented and she became excluded from the canon of English literature, where she belongs. more…

All Letitia Elizabeth Landon poems | Letitia Elizabeth Landon Books

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