Fragment - A solitude of green and silent beauty



-  -⁠  -⁠  -⁠  -⁠  -⁠  -⁠  -⁠  -⁠  -  ⁠A solitude
Of green and silent beauty, just a home
Where I could wish to weep my life away
In utter loneliness, and never more
Hear human voice, or look on human face.
It is a secret place among the hills:
Little and dark the valley lies below,
And not a taint of earth is on the air,
Which the lip drinks pure as the stream whose source
Is hidden here,—large rocks have girthed it in;
All palaces for the eagle are their sides,
Safe or far safer than a sanctuary,—
For even that, though shielded by God's name,
Man holds not sacred. Here at least his power
Is neither felt nor feared. The chamois rests
When harassed, as the powerless ever are;
It flies before the hunter. Small as still,
A skilful archer's bow would send the shaft
Across its utmost boundary, and half
Is covered with dark pines, which in the spring
Send forth sweet odours, even as they felt
As parents do, rejoicing o'er their children
In the green promise of their youthful shoots,
The spreading of their fresh and fragrant leaves.
The other part is thinly scattered o'er
With dwarf oaks, stinted both in leaves and growth.
And in the midst there are two stately firs,
The one dark in its hoary foliage, like
A warrior armed for battle; but the next
Has lost its leafy panoply, the bark
Stripped from the trunk, the boughs left black and bare
By some fierce storm to which it would not bend,—
Like a high spirit, proud, though desolate.
At one end is a cavern, musical
With falling waters: roof, and floor, and walls
Are set with sparry gems, snow turned to treasure;
Beyond is black as night, or grief, or death,
And thence there comes a silent stream, which takes
Onward its quiet course, then, through a break,
The only one amid the mountains, goes
Down to the world below. And it should be
My task in fanciful similitudes
To trace a likeness for my destiny.
Those pale blue violets, which in despite
Of snow, or wind, or soil, cling to the rock
In lonely beauty—they are like my love,
My woman's love: it grew up amid cares
And coldness, yet still like those flowers it lived
On in its fragrance: but far happier they,
They rest in their lone home's security,
While, rooted from its dear abode, my love
Was scattered suddenly upon the wind,
To wither and to die. And the blue stream
Will be another emblem: cold and calm
It leaves its dwelling-place,—soon over rocks
Torrents like headlong passions hurry it—
Its waters lose their clearness, weeds and sands
Choke it like evil deeds, and banks upraised
By human art, obstruct and turn its course,
Till, worn out by long wanderings, it seeks,
Its strength gone by, some little quiet nook
Where it may waste its tired waves away.
So in this solitude might I depart,
My death unwatch'd! I could not bear to die,
And yet see life and love in some dear eye.
Why should I wish to leave some faithful one
With bleeding heart to break above my grave?
Oh no,—I do but wish to pass away
Unloved and unremembered!

About this poem

From The Literary Gazette, 1823

Font size:
Collection       
 

Written on 1823

Submitted by Madeleine Quinn on January 14, 2025

Modified by Madeleine Quinn on January 14, 2025

3:07 min read
4

Quick analysis:

Scheme Text too long
Closest metre Iambic pentameter
Characters 3,063
Words 619
Stanzas 1
Stanza Lengths 69

Letitia Elizabeth Landon

 · 1802 · Chelsea

Letitia Elizabeth Landon was an English poet. Born 14th August 1802 at 25 Hans Place, Chelsea, she lived through the most productive period of her life nearby, at No.22. A precocious child with a natural gift for poetry, she was driven by the financial needs of her family to become a professional writer and thus a target for malicious gossip (although her three children by William Jerdan were successfully hidden from the public). In 1838, she married George Maclean, governor of Cape Coast Castle on the Gold Coast, whence she travelled, only to die a few months later (15th October) of a fatal heart condition. Behind her post-Romantic style of sentimentality lie preoccupations with art, decay and loss that give her poetry its characteristic intensity and in this vein she attempted to reinterpret some of the great male texts from a woman’s perspective. Her originality rapidly led to her being one of the most read authors of her day and her influence, commencing with Tennyson in England and Poe in America, was long-lasting. However, Victorian attitudes led to her poetry being misrepresented and she became excluded from the canon of English literature, where she belongs. more…

All Letitia Elizabeth Landon poems | Letitia Elizabeth Landon Books

4 fans

Discuss the poem Fragment - A solitude of green and silent beauty with the community...

0 Comments

    Translation

    Find a translation for this poem in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this poem to your bibliography:

    Style:MLAChicagoAPA

    "Fragment - A solitude of green and silent beauty" Poetry.com. STANDS4 LLC, 2025. Web. 15 Jan. 2025. <https://www.poetry.com/poem/209984/fragment---a-solitude-of-green-and-silent-beauty>.

    Become a member!

    Join our community of poets and poetry lovers to share your work and offer feedback and encouragement to writers all over the world!

    January 2025

    Poetry Contest

    Join our monthly contest for an opportunity to win cash prizes and attain global acclaim for your talent.
    16
    days
    12
    hours
    53
    minutes

    Special Program

    Earn Rewards!

    Unlock exciting rewards such as a free mug and free contest pass by commenting on fellow members' poems today!

    Quiz

    Are you a poetry master?

    »
    Which female American poet, who was little-known during her lifetime, but had nearly 1800 of her poems published posthumously, rarely titled her poems?
    A Sylvia Plath
    B Amy Lowell
    C Sara Teasdale
    D Emily Dickinson